I've seen Mardock Scramble, I've seen all of K. I've also seen Coppelion. (Here the unharmfully watchable kinda stops.) And I'm one of those nuts who completed Hand Shakers.
Yes, all of them are style over substance in increasingly manner, until it heavily backfires. But at least with K that was exactly the point. Have a bunch of cool Bishies and some hot girls roam about with something that halfways comes off like a plot, while not looking all that terrible.
It's not to say, that Tokyo Babylon's manga art isn't stylized. It is, but it's not that shiny digital effects thing, but stark pop-art like simplistic contrasts. Which also tranports over to the content, since half of it is leisurely goofy SoL comedy vs. a pretty dark mysterious mood, in which some darker aspects of society are touched upon as well. (Really, some of them are pretty seriously and tactfully dealing with issues.)
It's also about Omyouji and exorcisms and that traditional stuff in the traditional sense, so that digital stuffv with the CG looks even worse on it.
Aside that it's having one of the most goofily awkward, while complicated and super twisted, but at the same time somehow deep and profoundly pure romance out there that's wholly about the contrasts, emotional paradoxes and subleties through framing moods and small gestures. Starting amongst other things with Seichiros goofy glasses. Which have become... something of a edgy bishie assesoire now?
I'm not even a fan of those super wide shoulders of the 90s style, and Clamp's art has changed a deal, too by now and I do prefer some of their more modern styles. But... This is somehow just something completely else with absolutely no connection to what made TB so impressive. (To me at least.)
TL;DR
Imma still just