Additional funding will also be prioritised for an English dub of the film. If more funds are raised, we will then move on to crowd production and get all the extra extras you'd like to see!
We have had a number of questions about the Mai Mai Miracle Kickstarter Artbook so we thought we'd do an update answering your questions.
The biggest question about the artbook seems to be: what is the quality going to be like? Is it worth backing the $130 tier? In a word: YES! The artbook will be a 200 page hardback coffee table book unique to this Kickstarter campaign. With a ton of content and art already signed off, Katabuchi-san himself will be playing a big part in the design, layout and content selection of the artbook.
As for the quality itself, it'll be high. To demonstrate this, we've put together some images of an existing artbook by one of our favourite artists (you should check her out at http://www.naniiebim.co.uk/). We were so impressed with the quality of the book that we contacted the printers directly and, after discussions, decided that the Mai Mai Miracle Kickstarter Artbook could not be in safer hands.
What will the artbook be like?
It'll be hardback, similar to the one below with more colour and less spot UV. A solid spine and stitched binding - so you know it'll last. Scenes from the film, character design, line art and more will be included in the book - details have yet to be worked out but really a lot of it will be down to the director himself. Needless to say, we can guarantee a superb quality artbook well worth your pledge.
Have a look at the images below for a better, more practical idea of what the Mai Mai Miracle Artbook will be like
I don't accept that. If the ultra-niche T&A titles get dubbed and released here without having the few fans that would actually buy it paying for it to be released before hand with a "kickstarter" then there's no reason a title that is clearly for general audiences just like a Studio Ghibli film would be any higher a risk of not being profitable to licence and release with a dub as well. I'm starting to see a pattern with this concept of crowd-funding, or kickstarter and I don't like it not one bit. It's a common standard that if a craftsman want people to buy their craft, they make the product first to the best of their ability to persuade people that it's worth buying in the first place. That's worked for thousands of years and I'm not about to change to pay-now-for-pie-tomorrow.britguy said:This situation is slightly different being if it wasn't backed it probably wouldn't have got a release.
You just summed up my thoughts in a much, much fancier sounding way. I also didn't back Little Witch Academia 2 because to be honest, I enjoyed the first one but didn't really think it was anything remarkable.Ath said:It's an interesting case. I really do believe that crowdfunding has made a positive impact. There are definitely examples of things that would not exist without Kickstarter, because companies have just become so risk-averse nowadays when it comes to producing entertainment. With so much content available to us nowadays, it's becoming more and more the case that being a well made product isn't enough to make financial sense any more. It's either got to have incredible mass appeal (which can result in samey, safe stuff), or it's got to be low budget enough that it can target a niche and still make a profit.
That being said, I think it is incredibly important to maintain a healthy dose of scepticism when it comes to Kickstarter and crowdfunding in general. After all, we take a bigger than usual financial risk when backing a project. I treat every single crowdfunding project as a sales pitch, looking at both the people involved and the way they present themselves. If they're not convincing to me then I won't back it, even if the final product could be quite appealing.
In this case, Anime Limited presented themselves very well, have clearly laid out why they're using Kickstarter (to offer Mai Mai Miracle to a wider possible audience by including the USA, which will enable them to offer a more premium product), the $45 pledge level was in my range, and I trust them to deliver it based on their track record. This made backing it a fairly easy decision. However, I didn't back Little Witch Academia 2, even though I liked the original and would like a sequel. I thought Trigger's Kickstarter pitch was poor and I thought the rewards for pledging weren't worth the money to me.
Ultimately, I can totally understand why you'd dislike crowdfunding Mohawk. It is a much bigger risk to us, and it can often go very very wrong. It definitely has considerable benefits when it does work though, and it provides an intriguing alternative financial model.
Mohawk52 said:Fine. You guy's pay for it to be made, I'll pay for it when it's released and I like it enough to part brass for it. Everyone's a happy winner. Trouble is for Andrew I'll only have paid for it once, if at all, not twice and at a higher cost with no share of the profit, but complete loss if it crashes and burns. If this is the future of anime in the world, then I'm afraid it's doomed to relegation back to just Japan and fansubs. What goes round comes round.
reborn said:As long as releases are available via other means and being run by an distributor company - I don't mind releases being available from Kickstarter first. What I don't want is the more 'mainstream' titles being limited to a KS release only.
I think it might be because the pledge needed to get a physical copy ($55) is about twice as much as a barebones release would cost?kuuderes_shadow said:Mohawk52 said:Fine. You guy's pay for it to be made, I'll pay for it when it's released and I like it enough to part brass for it. Everyone's a happy winner. Trouble is for Andrew I'll only have paid for it once, if at all, not twice and at a higher cost with no share of the profit, but complete loss if it crashes and burns. If this is the future of anime in the world, then I'm afraid it's doomed to relegation back to just Japan and fansubs. What goes round comes round.
What makes you think that people are paying for it twice? You pay once in the kickstarter and get the item. And if the product isn't funded you don't pay a thing.
It's just like a super-advanced preorder.
Wait, are you saying no money is actually given, that it's just a pledge to give an amount of money if and when the product is released, like a pre-order? If no money is actually given how can Andrew go to a studio and commission a dub with just a pledge that he will have the money to pay for it when it's finished and everyone actually gives the money. ? Seems a bit dogey that, and if I was a studio rep hearing that proposal given to me I'd be raising an eyebrow, and maybe requesting that more sustained liquidity was established firstly before any contract was signed.kuuderes_shadow said:Mohawk52 said:Fine. You guy's pay for it to be made, I'll pay for it when it's released and I like it enough to part brass for it. Everyone's a happy winner. Trouble is for Andrew I'll only have paid for it once, if at all, not twice and at a higher cost with no share of the profit, but complete loss if it crashes and burns. If this is the future of anime in the world, then I'm afraid it's doomed to relegation back to just Japan and fansubs. What goes round comes round.
What makes you think that people are paying for it twice? You pay once in the kickstarter and get the item. And if the product isn't funded you don't pay a thing.
It's just like a super-advanced preorder.