The News Thread (for news that does not need a thread)

Joshawott said:
How come the Japanese like Charlotte so much anyway, considering it was a gigantic train-wreck from about the half-way mark? (Also, no Shirobako?).

In regards to Fate/stay night: Unlimited Blade Works, I have next to no knowledge about the original visual novel but didn't really find myself feeling lost on any step of the way; in fact, despite its source material's status as a supplementary prequel, I imagine not having seen Fate/Zero would have been more confusing (such as why Gilgamesh was such a big deal).

Considering the recent successes of Danganronpa and Steins;Gate, I'm actually surprised that no one has tried to officially localise even the Réalta Nua version of the visual novel.

Shriobako seems to be one that is either good or "the best thing of the year, no exceptions, anybody that hasn't seen it is an idiot", same with Blood Blockade Battlefront. Those that love it, really really love it, everybody else seems to like it, but not be too fussed.

I don't know, but it seems like Type-Moon aren't fully on board with allowing stuff to be localised yet.
 
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For flippin sake the Berserk PV pretty much confirms that the anime will be CG. Did they not learn from the Golden Age arc adaptations?

 
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UPDATE: Here's the official Preview.


Berserk's new anime adapts the Black Swordsman arc which is the first one in the series. The arc covers Volumes 1-3 of the manga (Volume 3 has bits of the Golden Age arc also). It's still unknown on whether it's TV or Film but it's going to be shorter than the Golden Age (unless they go straight into the Conviction arc also).
 
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Still pretty excited for this. But what's it going to take for Japanese studios to learn that anime fans DO NOT WANT CG???

Seriously. I my love of anime was fostered by the amazing hand drawn animation I saw in the shows I first discovered. It's bad enough that so many shows sport butt ugly CG inserts just to stay within bidget these days. But if these kinds of CG heavy features overtake the market... well, that'll be a sad thing indeed.
 
Why do people always complain about CGI, it's not the eighties any more, a television budget alone is going to mean that probably most television animation wherever its made will have an element of computer animation to a greater or lesser extent.

No doubt if they had to make less shows & be even more conservative with their content in order to justify the extra costs of full animation then people would start whining about that.
 
It's probably because most of the time it looks like terrible and doesn't mesh with the 2D at all. When it's done right, it can be a great tool. My go to example for CGI done right in Anime is Ghost in the Shell SAC. The Tachikomas in that do not look out of place at all and fit right in with everything else. However, most CG just stands out like a sore thumb and takes you out of the show a bit. Then there is stuff like that Berserk trailer where it looks like a PS2 game. I actually think the CG in the Golden Age films was used well. I would have prefered all 2D but some of it did look good, especially in the last two films but taking it to this extreme is just going too far.
 
robot monkey said:
Why do people always complain about CGI, it's not the eighties any more, a television budget alone is going to mean that probably most television animation wherever its made will have an element of computer animation to a greater or lesser extent.

No doubt if they had to make less shows & be even more conservative with their content in order to justify the extra costs of full animation then people would start whining about that.

Because it looks weird and doesn't not integrate well. I think the main problem for a lot of people is that it sticks out, if it were to look slightly closer to the non-CGI animation I think people would be less bothered. Even something high budget like The Wind Rises had some weird looking CGI roofs, so trying to do that on a TV budget isn't going to fly.

Even people who are good at CGI, like Ufotable, seem to know it doesn't always work well. Ufotable made it known that they were going out of the way to try and do as much of GOD EATER hand drawn as possible. (Even though the show probably would have worked with CGI and they destroyed themselves making the show.)
 
Top-Selling Anime from 2015 (between December 8, 2014 to December 13, 2015 according to ANN).

This list also filters out the Non-Anime titles like Big Hero 6 (328,611) and Frozen (140,152).

#01 | 214,413 - Utano☆Princesama Revolutions
#02 | 153,065 - Yo-kai Watch: Tanjō no Himitsu da Nyan!
#03 | 152,610 - Mobile Suit Gundam: The Origin
#04 | 151,825 - Kuroko's Basketball
#05 | 145,007 - Sword Art Online II
#06 | 130,323 - Shirobako
#07 | 129,866 - Free! Eternal Summer
#08 | 124,969 - Stand By Me Doraemon
#09 | 114,378 - Kan Colle
#10 | 108,196 - Love Live! 2nd Season
#11 | 103,479 - Blood Blockade Battlefront
#12 | 98,149 - Haikyu!!
#13 | 96,539 - Your Lie in April
#14 | 94,609 - The File of Young Kindaichi Returns (Season 2)
#15 | 91,309 - JoJo's Bizarre Adventure: Stardust Crusaders
#16 | 89,666 - The IDOLM@STER Cinderella Girls
#17 | 86,828 - The Last -Naruto the Movie-
#18 | 76,419 - Gundam: Reconguista in G
#19 | 76,222 - Fate/stay night: Unlimited Blade Works
#20 | 73,463 - Saekano: How to Raise a Boring Girlfriend
#21 | 72,339 - One Piece
#22 | 71,174 - Tsukimonogatari
#23 | 70,883 - Yowamushi Pedal Grande Road
#24 | 66,752 - Soreike! Anpanman
#25 | 65,787 - Dragon Ball Z: Resurrection 'F'
 
To be honest, I thought it had already been confirmed that Crunchyroll were an absolute holding block on a UK release of Free! So I don't see quite what he's expecting UK anime companies to do.
 
Buzz201 said:
To be honest, I thought it had already been confirmed that Crunchyroll were an absolute holding block on a UK release of Free! So I don't see quite what he's expecting UK anime companies to do.

Well Jerome said "There's no Free release because Crunchyroll licensed it to a company in the US that didn't author Blu-ray."

That comment pisses me off quite a bit. Discotek couldn't do Blu-ray because they weren't allowed, it wasn't until recently that they managed to get one of the CR titles a Blu-ray release as a combo pack (Arpeggio of Blue Steel).

He also said that streaming hurts home release sales. :?
 
In answer to Robot Monkey's question upthread:

IncendiaryLemon said:
It's probably because most of the time it looks like terrible and doesn't mesh with the 2D at all.

Exactly this. When there's an awkard fit between the CG elements and hand drawn stuff, it's immediately noticeable. CG features like the Appleseed movies work really well visually, say what you will about their stories. But something like Appleseed XIII just looks godawful by comparison.

Where the Berserk Golden Age movies are concerned, the aesthetic mostly works. But the first film has some jarringly fake shots and frame rate issues (I draw attention to this in my Youtube Review of The Egg of the King - worth a look if you want to see EXACTLY what I mean.)

I find it really irritiating when shows or movies do this. Sometimes it comes off as unbelievably lazy. I think the all time groaner for me, which actually made me fall off my seat laughing, was the use of CG to render - I kid you not - a SLOWLY CLOSING DOOR in Ghost In The Shell: Innocence. That kind of thing, to me, is the complete antithesis of what first drew me to anime as an art form. I love those older shows where CG simply isn't present as a crutch for the animators to fall back on. The attention to detail that went into them... it's simply not something you see in much anime at all now, short of bigger budget theatrical releases.

To quote our very own resident flaming citrus once again:
IncendiaryLemon said:
When it's done right, it can be a great tool. My go to example for CGI done right in Anime is Ghost in the Shell SAC. The Tachikomas in that do not look out of place at all and fit right in with everything else.

This is also very true. And a great example in favour of decent CGI (I was pleased that GITS Arise managed to further that tradition for tasteful use of CG as well.) There's a certain way of using it that definitely works and doesn't detract from the shows or movies it's featured in.

I will say, after seeing Knights Of Sidonia a month or so back, I was pretty impressed with its visuals. No, truthfully, it's not the sort of show that makes me think 'holy poopsticks! All anime should be CG from now on!' because it's still not as fluid as it needs to be if it's going to be fully convincing. But the animation style is certainly more expressive than similar stuff I've seen, and the final episodes even manage to push things in a direction I simply don't think would be possible with hand drawn animation - the fast camera moves during the final mecha battles, the guard pilots bobbing about in their cockpits, etc.

BUT... and this is the important thing: however good Japanese studios get at CG animation, it's never going to be the same as good quality hand drawn animation.

Nobody has a problem with work that's executed well. But when it's done sloppily, it's immediately obvious.
 
NormanicGrav said:
Well Jerome said "There's no Free release because Crunchyroll licensed it to a company in the US that didn't author Blu-ray."

That comment pisses me off quite a bit. Discotek couldn't do Blu-ray because they weren't allowed, it wasn't until recently that they managed to get one of the CR titles a Blu-ray release as a combo pack (Arpeggio of Blue Steel).

He also said that streaming hurts home release sales. :?

I'm sure Jerome had said previous to that, that Crunchyroll wouldn't licence it outside the US, perhaps because they don't have the contacts or whatever. It didn't sound like maliciousness on Crunchyroll's part, just that nobody could get through to them.

IIRC, he didn't say streaming hurt home video, he said Netflix hurts home video. It's possible that Crunchyroll streaming is fine, as it attracts a more specialist crowd. To be honest, his statements don't add up, if there was no money in home video after streaming something, the huge players like FUNimation and Sentai would probably be easing back on either home video or streaming, they aren't. Also, Anime Limited's releases seem to be doing well, despite wide streaming (even on Netflix), so clearly it's not widespread.
 
NormanicGrav said:
That comment pisses me off quite a bit. Discotek couldn't do Blu-ray because they weren't allowed, it wasn't until recently that they managed to get one of the CR titles a Blu-ray release as a combo pack (Arpeggio of Blue Steel).

Wait, they are doing a BD for Arpeggio, will have to look into that after striking it off my list due to non BD status way back when the licence was announced.
 
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