I,m 35 and adore Squid Girl,age means nothing,remember folks its only entertainment.animefreak17 said:im 25 and i love this anime
exactly :thumb:Doraemon666 said:I,m 35 and adore Squid Girl,age means nothing,remember folks its only entertainment.animefreak17 said:im 25 and i love this anime
Doraemon666 said:I,m 35 and adore Squid Girl,age means nothing,remember folks its only entertainment.
i can see what you mean iv seen this and thought it was a good idea but it seems to get lost during the series,Max Takeshi said:Demon King Daimao
Oh, where do you start with this?
The premises: Akuto Sai joins the Constan Magical Academy and his aptitude test declares that his future occupation is Demon Lord (one in a long line of).
Now, this setup was brilliant. The first episode has some great comedy potential as Sai stands firm that he will not become this demon king and fight against everything that tries to push him down that path. Sadly his actions and words echo that of how the original demon lord rose to power, and his good intentions are mistaken.
There was great comic potential in this idea, a mishap of errors that see a collection of odd sorts flock to him for different reasons.
Sadly things go pear shaped almost immediately with ecchi, magic battles and a distasteful view on plotting. What started out as a comedy of errors descends into a mish-mash of appalling plotting, confusing storytelling and cliché ridden excess. If there’s a shambolic, lazy approach to structure in one moment, there’s a shameless, inept hoisting of predictability in another. A callous attitude creates revulsion in many scenes - pitching the viewer’s intelligence in a curve ball headed straight for the gutter. This isn’t entertainment… it’s an insult.
The final elongated battle… aspoiler]ISN’T an elongated battle, instead pushing what should have been 5 or 6 episodes into two… TWO! People come from nowhere, allies become enemies, enemies become allies, the audience have no clue of who is on whose side,i/spoiler] and the thing is so nauseatingly rushed, cheap and confusing it would make a terrific advert for paracetamol.
The most frightening thing in all this series is… the people of Crunchyroll seemed to think it was brilliant.
b]2/10[/b] Because that premises WAS a good one...
At first.
Yakumo said:Noein
My reasons for buying a particular anime title aren’t always based on rational thought. Sometimes something as simple as a character’s smile on the dvd cover will be enough for me to take the plunge, as was the case with the tb]Eden of the East[/b] series. For Noein, it was because it was a Manga Entertainment (not Manga UK) release. ME doesn’t have the same frenetic release schedule of Funimation or Sentai, so when they release a new title then naturally I am curious. It seems to me that they are relying on a new release to act as a tent-pole to bolster their catalogue and their cash flow — I mean, really, how many people out there have not yet seen eb]Macross Plus[/b] or Ghost in the Shell? Bottom line, they seem confident that a new title will deliver the goods and fill the coffers, so it must be worth watching.
First impressions were good when I saw that Noein is the brainchild of Kazuki Akane. His work on The Vision of Escaflowne cemented it as one of my all-time favourites, so already I was optimistic. And just like Escaflowne, Noein deals with such themes as the manipulation of fate, and of love that transcends temporal, physical and spatial boundaries. What’s nice is that it isn’t particularly heavy-handed in its handling of these heady themes, only resorting to information dumping when the situation absolutely warrants it and then never at the cost of the overall pacing.
The animation is also consistently well done for a television production, though there are a few episodes midway through where the quality does dip somewhat. From time to time as well, the character designs do change noticeably during the course of an episode, though I couldn’t always determine whether that was by design or as a result of human error. Through all this though, motion remained smooth and fluid. Add to that backdrops modelled in photorealistic detail and well-integrated CG effects, and there’s not much to complain about.
I found the characters very appealing and relatable, even if I had to take some time to get used to their designs. They are a dynamic bunch with their feelings towards each other ebbing and flowing realistically. There’s also the main romantic element which features a love triangle between essentially two people; can the guy really be jealous then…?
My intention was to watch this in Japanese, until I saw that Noein has been dubtitled. So I figured I might as well switch to the English track. Which isn’t bad really, featuring as it does a number of old-school veterans like Mona Marshall, Melissa Fahn, Crispin Freeman and Richard Epcar. Yuri Lowenthal is also on hand providing an emo version of his Ben 10 voice, and also uses that voice to drop a few f-bombs in the outtake reel. The musical score does its job without being too remarkable, but the opening and ending themes (“Idea” by Eufonius and “Noake no Ashioto” by Solua, respectively) will be haunting me for a long time yet, in the best possible way.
Bottom line: What I saw exceeded my expectations.
It deserves 7/10, but I thought Yuu and Haruka were such a cute couple, and that the two starring vehicles (a Lancia Delta Integrale and an Autobianchi A112 Abarth) were so beautifully modelled. So it gets b]9/10[/b].
teonzo said:You made Totoro sad, now he wants to leave:
Teo
yes i agree but i believe the humans are more monster then the shiki if you ask me,20thCenturyBoy said:Shiki
8/10
I have no idea why I dropped this after a few episodes when it initially aired :? .
Quite frankly, it's brilliant. An honest to goodness horror series. From the creepy aura of those first few episodes to Toshio experimenting on his wife, Mr. Ookawa staking his own son and murdering everything in sight (including innocent human villagers), to just the sheer carnage and inhumanity that befell the whole thing. It does that key thing that I think genres such as "vampires" should deal with and that's the loss of humanity. Expertly done with being an examination of not just the Shiki but the human villagers too, even moreso in fact. One of my favourite episodes had to be 20.5, it just summed up everything the series was about Nao being haunted by what she'd done to her family, how the villagers took pleasure in killing the Shiki, before turning on one another and Hasegawa feeling so overwhelmed and distraught by it all that he actually helped the Shiki by putting them out of their misery, just because he didn't want to see anymore suffering. In the end I don't think there's a right side, everyone's a monster.
teonzo said:Eden of The East the Movie II: Paradise Lost
After watching the first movie I thought that this one was going to be epic or a total fail. I was quite wrong, I find it to be a decent ending for the series, but nothing more. It's a classy ending: great directing, a lot of good things about minor details (especially Saki's behaviour)... What's missing is the overall story. I have the feeling that after the first half of the series the writers just had absolutely no idea on how to go on. Great ideas at the beginning, but great lack afterwards. For having few ideas this movie is really good. It would have been much better if they were able to mantain the high standard through all the series + movies.
Score: 7 / 10Teo