Why are they even combining them? I'm not interested in EGX.That's the most common theory out there. X number of passes and likely a rule where Y number must go to EGX related people.
Willing to bet part of it is the difference in MCM post Brexit and the height of the pandemic. If you attended prior to those it's hard not to notice how MCM has kinda scaled back and no longer gets big announcements (bar Hasbro). Combining with EGX adds a bit more oomph and probably also helps split the cost of hiring out the ExCel.Why are they even combining them? I'm not interested in EGX.
With you on this one, its the main thing stopping me picking up Paprika, Godzilla -1 and Arcane on 4k as well as the Witch from Mercury sets. I'll just be miserable when they sell out and no standard edition is made available instead.Give me an amaray case over a steelbook any day. Although, I am aware I'm probably part of the minority in that department.
Also not a fan of this increased habit for distributors/licensors to lock the 4K behind a steelbook or deluxe edition for a year or more, before the standard edition 4K is eventually released.
Find it a little odd they didn't do a 4k steelbook for Missing Link wonder why that was left out?
Exactly this. It took a few MCMs just to get a large amount of manga back. They obviously want to increase its profile as a result.Willing to bet part of it is the difference in MCM post Brexit and the height of the pandemic. If you attended prior to those it's hard not to notice how MCM has kinda scaled back and no longer gets big announcements (bar Hasbro). Combining with EGX adds a bit more oomph and probably also helps split the cost of hiring out the ExCel.
I wouldn't be surprised to see it continue. Reedpop effectively only own MCM now because of Brexit. The original founders announced a year or so before 2016 that they were turning MCM into a cross European franchise but the referendum basically killed that and they unloaded it on a bigger convention power. And clearly between that and the pandemic (plus the impact of both on the entertainment industry as a whole) the twice yearly event is somewhat struggling. I can see a future where a bunch of events fall under the MCM event to soften costs and attract more attendees.Exactly this. It took a few MCMs just to get a large amount of manga back. They obviously want to increase its profile as a result.
Which is definitely a shame in some regards. The more tagged in, the more it has to be with likely the same space. The stuff being sold either needs to draw in the niche audience well or appeal to so many different areas and thus become very generic.I wouldn't be surprised to see it continue. Reedpop effectively only own MCM now because of Brexit. The original founders announced a year or so before 2016 that they were turning MCM into a cross European franchise but the referendum basically killed that and they unloaded it on a bigger convention power. And clearly between that and the pandemic (plus the impact of both on the entertainment industry as a whole) the twice yearly event is somewhat struggling. I can see a future where a bunch of events fall under the MCM event to soften costs and attract more attendees.
And I think they've lost some manga at this one, just checked and viz media aren't listed as exhibitors, nor could I find the one that sells a lot of manga (who's name I can't remember), someone at work who has game dev friends told me that the industry pass is no longer free and they have to pay now.Which is definitely a shame in some regards. The more tagged in, the more it has to be with likely the same space. The stuff being sold either needs to draw in the niche audience well or appeal to so many different areas and thus become very generic.
I can't remember if Viz was the small stall of volume 1s or if that was Forbidden Planet. It'd be terrible losing Travelling Man or ones like YenPress as they have most of the manga there, especially for a range of titles. Square Enix has a decent manga presence too usually.Never mind I was thinking of traveling man limited and they are going (still can't find viz though)
Looks like HMV are breaking out the 'standard' 4K with an exclusive cover before AL have even announced one.
View attachment 36388Godzilla Minus One (hmv Exclusive) | 4K Ultra HD Blu-ray | Free shipping over £20 | HMV Store
Takashi Yamazaki (Director) | Go Abe (Producer) | Kazuaki Kishida (Producer) | Keiichiro Moriya (Pro Godzilla Minus One (hmv Exclusive) 4K Ultra HD Blu-ray Free shipping over £20hmv.com
'No current plans' is AL speak for 'let's see how the pre orders go'Wait, so did AL lie when they said that were was no standard 4K release scheduled currently? Seems like they were being very careful with their wording on social media. Although, if that HMV listing is true, the standard edition may be releasing along with the other editions in December.
If that is the case, then it reeks of "wait for sales of the deluxe edition and the steelbook to die down" and then announce the standard edition. Their social media responses could easily be interpreted by customers to mean that a standard edition was some time away, like we've seen with other 4K releases. Bit of a scummy marketing tactic, but hey, you gotta do what you gotta do.
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I suppose the "future" is 3 weeks in Anime Limited time.
Going by this statement on their Twitter, I suppose we can also expect the minus colour version in a standalone release at some stage:
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And yes, I keep receipts. Be careful, AL
'No current plans' is AL speak for 'let's see how the pre orders go'
If not they're gonna be pretty shocked by this blatant knock off!!!! (also available on HMV)
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Very true.Damn, they definitely swindled me. I pre-ordered the steelbook, but at least the standard edition is pretty much the same price - and going by the spine, it's only 1-disc, so no bonus disc, unfortunately.