UK Anime Distributor Anime Limited Discussion Thread

I was just using Escaflowne as an example really but it's good to know that there's also a standard release planned.

It's nice that there's soundtrack cd's and artbooks for those that want them but I do wonder how many people really want them. If the release was cheaper & the artbook/CD's sold seperately by AL would the majority who buy the anime still go off and buy them or is it more a case of collector's mentality where people love seeing all that extra stuff but are never likely to really use or peruse more than once or twice?

I admit I get a little buzz myself when I see nice collector's stuff & I do own a fair few (bought at prices I was willing to pay) but the practical side of me can't justify the excess cost or space they take up & the cynical side of me feels that the main reason for them is more because they present a higher profit margin. It certainly seems like other anime companies are beginning to try and follow suit, even the Jeromian Conglomerate has released a couple of fancier editions (ok they usually amount to a box & some art cards).

I keep an eye on older AL ultimate editions from time to time just to see if they have any major price drops & almost all of them are still available so they mustn't sell high numbers even though the prints are usually limited (2000?) yet AL must be making a decent profit off of them to keep persisting.
 
Seeing all the conversation about price, I do wonder what it is UK anime fans want in the end. There seem to be so many divergent opinions on the whole price vs. quality scale. Some people seem to favour the super-deluxe Japanese style of quality above all else, while I kind of seem to see the conversation shifting back toward a low price being more important these days (when in my eyes at the moment, this is kind of academic as almost everything is available to stream for free on legal services).

It's an innarguable fact that the industry seems to be shifting toward more expensive editions, so my line of thinking always tends to just end up being 'such is the state of anime fandom at the moment, and you either get used to it and pay, or you stick to streaming'.

Price *is* important - although I see that far more as a baramoter for casual fans, who'll be swayed by something like that. The example I always give is Manga's Origin - Spirits of the Past movie, which by most accounts is a pretty poor film, but has sold thousands of copies because it's been only £4 for most of its lifespan and people pick it up because it looks like a Ghibli movie.
 
Lutga said:
It's an innarguable fact that the industry seems to be shifting toward more expensive editions, so my line of thinking always tends to just end up being 'such is the state of anime fandom at the moment, and you either get used to it and pay, or you stick to streaming'.

That's pretty much the point I was making about anime becoming elitist. Us low income peons aren't fit to actually own it, just watch it. (Not accusing you personally.) I buy series that I enjoyed so that I can watch them again at my leisure in the best quality possible & show the industry support. If the industry prices me out of physical releases then I'll just give up on anime. Anime is a luxury as I've often seen said in defense of prices, but i fail to see how a dwindling fan base is good for the industry.

I watch the odd bit on Netflix but I won't touch YouTube (age gates, I refuse to register) or crunchy roll (adverts & buggy apps that loop them).


As for origin- spirits of the past I'd argue that it's a poor example as it's price point is so low that it's an impulse buy & kinda negated by the fact you can generally pick up the awesome Akira for £1 more. Also anime movies are generally more in keeping with Hollywood & international bluray prices on release. (aside from AL's Ltd/ultimate editions again)
 
I think the issue is less price and more about some fans not valuing quality over quantity. Escaflowne is one of the most beloved series in the west and this deluxe edition reflects that. This series is worth 3-4 cheaper shows in terms of rewatch-ability. For most fans who've seen the show they would rather buy this with the deluxe treatment. On low income its obvious that we try to get the most bang for our buck, so the allure of 3-4 cheaper anime releases as opposed to one expensive deluxe release is a big one. It's just about weighing up quality over quantity, which is a personal thing.

Either way a standard edition is sure to come along eventually like Bebop got. If not Funimation are releasing standard editions also, though the savings on those would be small. Bandai's old DVDs will be much cheaper to find now also.
 
I decided to ask Andrew about the current state of the standard editions for The Vision of Escaflowne, and it appears he's still unsure on what he's going to do with the release. His original plan was to include the Bandai Dub and the Japanese audio and keep the Director's Cut episodes exclusive to the Ultimate Edition.

Personally, I would suggest that no on-disc content be omitted from the standard editions whatsoever across any anime release. My main argument about this is you're going to not only upset a good portion of the fanbase but you're also going to potentially cause some loss of sales when people discover what's on the disc and how it compares to the UK Ultimate Edition and US Standard Editions. As people said the US sets have both audios with presumably B compatibility on all editions available. It would make better sense to just keep the discs as they are and not have to go through production just to modify 6 episodes (1-4, 6-7). Sure the SRP could make or break people, but personally I doubt the SRP will be that much different surely? When you look at Manga UK & MVM's sets, their SRP for 2-cour 4 disc releases are generally at £44.99-49.99. Sure they may have had a single part release before but technically Andrew is doing the same with its Ultimate Edition. This is just my opinion on the matter and I understand not everyone can afford anime in its current age, but the point I'm trying to make is just keep Escaflowne's standard Blu-ray release with all 4 discs in-tact at an SRP of £49.99 or so, and since it's a standard set the price will go down in time to a level everyone would be satisfied with (or heck even get UP1 or Zavvi to get some sales going while you're at it).
 
Also the tri audio would be and all discs bar 1 so it would be silly. Unless they reauthor the discs.

Also the price is fine i will pay £120 etc for it but using a special price for comparison isnt fair not when all people will use that.
 
I wonder whether it's worth putting response cards in the packaging (like they do in the US) to get opinions from buyers? Even on our forum with its relatively small sample set there are opinions all across the spectrum and it's impossible to filter through them and work out what people actually want. Andrew hinted that dropping the extra content could lower the price and he's obviously getting very mixed messages about what people want: a fully-featured standard edition at a price which won't lose money, or a stripped-down standard edition to save a few quid. Some people dismiss even video extras as 'extra fluff' but for others video content is a core part of the show.

For what it's worth as a buyer who often opts for the UE or LE versions of anime releases, I personally don't mind the cheaper editions getting all the video content! I know some OAVs can be dicey due to Japanese rights restrictions but alternate cuts should be available for everyone (as should the OAVs wherever possible, even if the standard purchasers need to do a mail-in or buy a separate pack for them). It sucks so much when you join a fandom a few years too late and all of the LEs are long gone, and you miss out on actual video content unless you pirate it. Most people would just pirate it, but for me I find it really demoralises me and makes me less happy about collecting in general to know there's stuff I simply cannot get.

I think the point about most bonus stuff being opened once then forgotten is fair, but in the digital age I also suspect a lot of us are buying shows we watch once then file away in general. I used to watch my anime VHS tapes over and over again repeatedly because I didn't have many and there was no way to stream additional shows; now I generally go through each show once and occasionally roll them out again when I have guests.

R
 
I would happily pay £50 for a standard edition of Escaflowne, I am not fond of the idea of removing directors cuts though, I'd rather have them than standard episodes if it's a more accurate vision of what the director wanted. As normanicgrav said why cut a disk that's already authored & bbfc rated?

Price isn't indicative of quality, especially with anime. I picked up the 2nd series of SAO because I really enjoyed the first & i could manage the £25 spread over a stretched period but after watching I was pretty disappointed. I enjoyed them but the show was fairly average & not worth £100 plus the pretty/bulky box takes up the same space as 6 standad amaray cases
 
Welcome back!

Cheers Buzz :)

Re the premium vs standard debate - i would say it largely depends on the show, but TBH, I can't think of one example where I've opted for a standard edition version of an AL release over their premium one. I realise and appreciate that I'm lucky in that my budget is on the high side, but as long as there's streaming and standard editions then surely everyone is happy?! I remember 5 or so years ago, for UK anime fans who wanted premium editions, it was import or tough luck. I think we're in a much better market now, and it keeps getting better!

Cannot wait for Escaflowne - this comes from a time when I was seriously getting into anime for the first time - the market over here wasn't that great and it was a show that I tagged as a "one day I'll have it" thing - of course I later had the DVDs, but to get the show with this much TLC, in HD, yes please!

Although I appreciate the newer shows/movies from Japan, like qaiz I have a particular interest in 'classic' shows - plenty of love from AL so far, hoping for more to come! :)
 
serpantino said:
That's pretty much the point I was making about anime becoming elitist. Us low income peons aren't fit to actually own it, just watch it. (Not accusing you personally.) I buy series that I enjoyed so that I can watch them again at my leisure in the best quality possible & show the industry support. If the industry prices me out of physical releases then I'll just give up on anime. Anime is a luxury as I've often seen said in defense of prices, but i fail to see how a dwindling fan base is good for the industry.
I don't think it's fair to suggest there's any elitism going on here, the price of anime is a side effect of external circumstances. Companies need to make money so that they can both continue to operate their business as part of the industry and pay their employees (so they can continue to operate their lives). There's already a shortage of customers for anime so the companies have to make more per sale than a more mainstream industry that can have lots of customers paying smaller amounts each.

Whether people can afford releases doesn't have anything to do with how big a fan they are, that's something else that's affected by external circumstances and will have little to do with anime. It may be the case that those who can afford the fancy releases can contribute more money to the industry but any fan who consumes anime legally is still contributing. Money is certainly important in the current system but for the industry there are numerous other ways fans can contribute. Talking about anime with others and building interest/attention, reviewing shows to help others find things they might like, giving feedback on shows that could get back to creators, going to conventions and all sorts of other things are still important to the industry as a whole. The main purpose of anime is basically to be watched and enjoyed so anyone doing that is at least playing a part.

It's also worth noting that fancy releases aren't the only ones being made. They tend to come earliest and be the most expensive because that's how they can make the most money. That money will generally go back to the same people who make more standard and (hopefully) affordable releases down the line and add shows on to streaming services that can make them available to a much larger number of people (as well as the people working on and producing shows in the first place). It's easy to get annoyed when you're made to wait for a release that suits you and the uncertainty about future releases can be frustrating but that doesn't mean that companies are deliberately treating you as inferior customers, they're just doing what they have to in order to make the money that allows them to make anime available in the first place.

In Anime Limited's case specifically, they've shown a pretty consistent willingness to try to make anime available to a variety of customers through different releases and platforms. Many of the shows they have rights to end up streaming, often in multiple places. They frequently release standard editions of shows once it's economically practical to do so. They maintain good communication and show a genuine interest in anime as more than just a product. They genuinely seem like about the best kind of company we could hope for in terms of both releasing more anime and supporting anime fans.

It seems odd to complain about releases when the alternative may well be having no release at all. I can certainly understand being frustrated that the only currently available release of a show you want is either out of your price range or simply has too many unwanted extras for you to justify buying it at the asking price. Still, that doesn't mean that Anime Limited (or whoever) is deliberately holding back on an affordable release. Just as you may not be able to afford a fancy release, Anime Limited may not be able to afford going straight to a low cost standard release. Letting them know about the kind of releases that are more suitable for you is certainly worthwhile but suggesting that they shouldn't be making their other releases is almost a kind of elitism of it's own. Anime Limited have proven that they can often accommodate different releases, it can just take time (and perhaps some degree of success of the original release) for circumstances to allow them to make the other types of releases.

To be fair, it's certainly true that there will be times where "business" decisions are made that are bad for fans even if they do end up benefitting the companies (or their shareholders). I do think a balance needs to be maintained where sight isn't lost of the main purpose of the industry. There's no point making anime if no one can enjoy it and that means both fans and creators. We're certainly in dangerous times where interests like this, that have to try extra hard to remain financially viable, are at risk. Still, I think it's worth remembering that it's not just fans who suffer from this and that sometimes the people working in the industry have to do things they'd rather not in order to keep going.

serpantino said:
I watch the odd bit on Netflix but I won't touch YouTube (age gates, I refuse to register) or crunchy roll (adverts & buggy apps that loop them).
Crunchyroll has a pretty good service overall, I wouldn't say they're perfect but it's certainly been a long time since I had any issues with using it (and even then I've only had fairly minor issues). If adverts are the only problem, a subscription isn't too expensive (especially if you pay for a year upfront, assuming you'll be using it most months). If you haven't tried it for a while, it might be worth giving them another go.

Streaming isn't the best option for everyone but that's something else that's often affected by external factors. Still, I do think it's pretty great that so much anime is now fairly easy to access for so many people.

I also wonder if streaming availability is a factor in people's frustrations about having to wait for standard releases. They can see a show streaming (or hear a lot about it), then have to wait over a year to see a fancy release (that may not be suitable) and then even longer for a standard release (which might still be pricey, due to circumstances). I don't think it's totally unreasonable for people to be enthusiastic about picking up shows as soon as possible but it's probably worthwhile to take a step back and think about the reasons that these things can take a while.

thedoctor2016 said:
Thats only if we can afford to take you up on the deal which I cannot as I cannot drop £90 on something months in advance, so I'm stuck with amazons £133 price or you make you website pay for preorders on dispatch.
The deal is available for a little while, if there are purchases you could hold off on for now that would allow you to pay the £90 then by the time the set is released you'll have more money saved up and you won't have to worry about money going out for the set. You'd be better off in the long run but it might mean waiting a bit for some new releases. That does rely on you being able to get the £90 together (also that you intend to get the set either way) and obviously some releases may be higher priority if they're likely to go out of stock or whatever but it's maybe worth taking a look at your budget and purchases to see if you can make it work. I know that I always seem to be adding to my backlog so holding off on things isn't usually a problem for me (though some shows you just don't want to hold off on).

Well, this post ended up longer than intended. Apologies for any rambling and hopefully no one will take offence to anything I've said because none was intended.
 
I have noticed this from certain other fans. They aren't necessarily doing anything wrong, but when you talk of prices being so high you get pushed out, they simply don't care. As long as they can get and afford their fancy Collector's Editions, they simply don't give a crap. They have no answer to your concerns about the lack of standard editions on some titles, they ignore your suggestion certain companies seem to be trying to price gouge the market and worst of all to me, they actively campaign against companies that do organise standard editions and charge prices that are expensive but reasonable, and when you ask them about it, their answer seems to be "Well, I want a Collector's Edition, **** you". Whilst I understand their position, It's really starting to sour me to the fanbase as a whole.


serpantino said:
I watch the odd bit on Netflix but I won't touch YouTube (age gates, I refuse to register) or crunchy roll (adverts & buggy apps that loop them).
If you can afford a Crunchyroll subscription, you really should give it a try. Crunchyroll is excellent.
 
Me:
Quick question. For those going for Escaflowne's standard sets, will the discs be exactly the same? (i.e. Broadcast & DC episodes). Figured I ask as your responses on Amazon are a bit conflicted, especially back then you weren't sure about the Funi dub.

Andrew:
Debating now, likely only the TV edit though but need to check the authoring :). If I can save on one disc - it lowers the SRP too :). Which seems to be what folks want anyway as an alternative...

Me:
While I understand the idea of lowering SRP, personally I would suggest keeping the 4 discs. It's best to please the fanbase by keeping the on-disc content intact rather than making some parts UE only. Plus packaging, artbook & OST make up for the exclusivity.

Andrew:
Likely will do just because I suspect it's messy authoring-wise - hang with me while I confirm, will update via Newswire!
The Discord chat was skeptical about the way Escaflowne would be treated standard edition wise so I figured I'll ask Andrew on Twitter.
 
NormanicGrav said:
I decided to ask Andrew about the current state of the standard editions for The Vision of Escaflowne, and it appears he's still unsure on what he's going to do with the release. His original plan was to include the Bandai Dub and the Japanese audio and keep the Director's Cut episodes exclusive to the Ultimate Edition.

Personally, I would suggest that no on-disc content be omitted from the standard editions whatsoever across any anime release. My main argument about this is you're going to not only upset a good portion of the fanbase but you're also going to potentially cause some loss of sales when people discover what's on the disc and how it compares to the UK Ultimate Edition and US Standard Editions. As people said the US sets have both audios with presumably B compatibility on all editions available. It would make better sense to just keep the discs as they are and not have to go through production just to modify 6 episodes (1-4, 6-7). Sure the SRP could make or break people, but personally I doubt the SRP will be that much different surely? When you look at Manga UK & MVM's sets, their SRP for 2-cour 4 disc releases are generally at £44.99-49.99. Sure they may have had a single part release before but technically Andrew is doing the same with its Ultimate Edition. This is just my opinion on the matter and I understand not everyone can afford anime in its current age, but the point I'm trying to make is just keep Escaflowne's standard Blu-ray release with all 4 discs in-tact at an SRP of £49.99 or so, and since it's a standard set the price will go down in time to a level everyone would be satisfied with (or heck even get UP1 or Zavvi to get some sales going while you're at it).

Didn't have time to do a proper twitter update as takes too many chars etc, but definitely will have same discs as I'd forgotten that I'd put most of the on-disc extras on the Director's Cut disc. Quick note but obviously the Bandai dub isn't on the DIrector's cut episodes, just the 2016 version and vice-versa for the TV episode versions of the eps. So it makes sense to keep it all together.

Like with the work involved with Gurren Lagann this means the SRP is going to be a bit higher than I'd like which is about £59.99 SRP (so likely around £45 on retail with folks) but means you get the same video content :). Can't win 'em all so I'm sure now people will rail that it's too expensive too...

Best,

AP
 
NormanicGrav said:
I decided to ask Andrew about the current state of the standard editions for The Vision of Escaflowne, and it appears he's still unsure on what he's going to do with the release. His original plan was to include the Bandai Dub and the Japanese audio and keep the Director's Cut episodes exclusive to the Ultimate Edition.

Personally, I would suggest that no on-disc content be omitted from the standard editions whatsoever across any anime release. My main argument about this is you're going to not only upset a good portion of the fanbase but you're also going to potentially cause some loss of sales when people discover what's on the disc and how it compares to the UK Ultimate Edition and US Standard Editions. As people said the US sets have both audios with presumably B compatibility on all editions available. It would make better sense to just keep the discs as they are and not have to go through production just to modify 6 episodes (1-4, 6-7). Sure the SRP could make or break people, but personally I doubt the SRP will be that much different surely? When you look at Manga UK & MVM's sets, their SRP for 2-cour 4 disc releases are generally at £44.99-49.99. Sure they may have had a single part release before but technically Andrew is doing the same with its Ultimate Edition. This is just my opinion on the matter and I understand not everyone can afford anime in its current age, but the point I'm trying to make is just keep Escaflowne's standard Blu-ray release with all 4 discs in-tact at an SRP of £49.99 or so, and since it's a standard set the price will go down in time to a level everyone would be satisfied with (or heck even get UP1 or Zavvi to get some sales going while you're at it).

Most Manga discs are not authored in the UK for BD, which means there are much lower costs to just access the masters (circa 1/10th of the cost). So the SRP is higher because we're doing it ourselves at the behest of fans here who complain when we do use international masters, so it's kind of a can't have it both ways scenario there :).

All the Ultimate before means is the AACS mastering fee is reduced if you print the discs at the same time - but that does mean £59.99, which is still cheaper than buying both sets in the USA as I listed before (62.18 pre-import tax and shipping AND not factoring in discount from SRP in the UK). So ultimately nobody is losing out vs pricing elsewhere - in fact you're still benefitting but I have to cover the costs too :).

PS I checked about the B compatibility and the US will not have it despite initial images as they requested a holdback of one month on our release, which would not make for a fair retail position if their discs were opened to Region B too.
 
I'm glad that the director's cut isn't exclusive to the UE. I do want to pick up the UE, but if I'm unable to afford it while it's available, at least I'll be able to grab the standard edition at some point.
 
£60 SRP is less than half the SRP of getting the show on single volume DVDs back when it was originally released.

It's understandable why people want things as cheaply as possible, especially when you get news reports about Millennials earning less in real terms than Generation X-ers.
 
anime_andrew said:
Most Manga discs are not authored in the UK for BD, which means there are much lower costs to just access the masters (circa 1/10th of the cost). So the SRP is higher because we're doing it ourselves at the behest of fans here who complain when we do use international masters, so it's kind of a can't have it both ways scenario there :).

People complained at you trying to make your releases cheaper?

Christ, anime fans make me wants to jump off a building sometimes. God only knows how you must feel...
 
So uh, any kind of update on Miss Hokusai? Still aiming for August? I've got a lot of stuff to buy across August and early September so I really need to sort out my budget.
 
The issue isn't international masters being used, it's the claims of a "unique product" alongside an high price for titles like Terror in Resonance and Full Metal Panic using international masters.

FMP, for one, is an ultimate edition with discs that are apparently dirt cheap in AU and US, and no UK standard edition in sight.

It's difficult to see something as an "ultimate edition" when the disc is so heavily tailored to the US audience, especially when trailers sections feature titles not available over here. And the price to consumers for an AL-authored release doesn't seem to differ much to a release authored by someone else.
 
Buzzkillington said:
So uh, any kind of update on Miss Hokusai? Still aiming for August? I've got a lot of stuff to buy across August and early September so I really need to sort out my budget.

Aiming for, yes, but it's wholly conditional on IG at this stage. I've everything else printed and good to go, but I can't print the booklet til they are happy with it and they're naturally hell bent on perfection - you can imagine my feelings now...

AP
 
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