This will be partially "thoughts up to now" as well as the most recent ep, since it's been a couple of weeks since I posted anything (spoilers intermingled in places):
Amagami SS (09) - A big surpise in terms of just how much I've enjoyed it, it's one of the shows that I most want to keep up with each week. Kaoru's arc was a small let-down only in that it would have benefitted from being a couple of episodes longer, otherwise it was as good as I expected it to be after the excellent first arc. Sae's arc I didn't have as high hopes for, and whilst it doesn't quite fit into the tone of the show as established in the first eight episodes, there was a nice lighter touch to episode nine, and I can't deny that Sae and her voice are quite moe.
Asobi ni Iku yo! ( 08 ) - And another big surprise, in terms of it being any good at all! I've read a couple of slightly OTT articles praising this show, but it has to be said that it does rise above any expectations I had for it. It takes a really bad idea, infuses it with a bunch of cliches, but manages to undercut that just enough with its style and production values, and a small helping of tongue-firmly-in-cheek-ness. I'm not sure that I love the Aoi/Manami rivalry in terms of what it does for the narrative, but the potential government conspiracies and the antics of the dog faction are more interesting. As I have surely said before, this is this season's Kampfer, and I can only hope it gets quite as crazy as that did by the end.
Densetsu no Yuusha (09) - Goddam I love this series. The anime sometimes feels a bit like a highlight show, but they've taken their time a little more with the last couple of episodes, not sure how many of the LNs they're actually looking to adapt now (they're still in book 3, so I'm not sure now if they'll do the first 11 main books. Would be nice to see some of the short stories adapted instead and then a second season later on). Telling Fukuyama Jun "just be Lelouch" is some inspired casting for Ryner, ep 9 in particular showcasing this. Needs more of Froaude being awesome especially as this relates to Sion's state of mind, but still great overall.
Fairy Tail (44) - This is the only "stereotypical" shounen fighting anime I'm watching these days, and it might even be good enough to justify that fact. Has been particularly epic since The Lucy/Loke storyline. Juvia is awesome (especially her new look), and so is Gajeel but Erza is just way too good. Backstory, powers, personality, all brilliant. That said, I've been waiting for the next episode for a long time, so that could well jump a certain character far up my rankings.
Giant Killing (22) - Man, they've really done a great job with this Osaka match so far. They've made it feel like the whole series has been building up to this, and the payoff could be great. There's a nice balance of comic relief and serious football action, especially with the non-Japanese characters. Kubota is amazing for Osaka, and a good example of some of the modern tactical aspects that the show is using nicely, questioning more traditional views on what makes an attacking team a truly attacking team (btw, "kubota osaka" brings up some strange stories in google
http://search.japantimes.co.jp/cgi-bin/ ... 701a3.html). Not as fond of the storyline surrounding the supporters, but it's still good to see them tackling so many diverse elements of the sport.
Heroman (22) - There's something about this series that makes it hard to dislike, but its simplicity and almost slavish adherence to being a "Saturday morning cartoon" (OK, it's not a late-night anime, but it lacks even the complexity of typical evening time slot shounen shows) really hold it back. Very easy on the eyes - and I'm not just talking about Joey's sister - with some solid animation, pretty decent design for Heroman, some variety to its storylines, it has a decent foundation but hasn't quite built on it enough. The last couple of storylines have shown more of the show's potential, but I wonder if this will be looked back on as a missed opportunity.
Highschool of the Dead (09) - I think this has been a hugely successful adaptaion, so far. Lavish action scenes, judicious pacing, no lack of fan service. The homages to other zombie works are great, and now that the main cast is all assembled there's just more opportunity to see how they handle a variety of personal situations in the middle of the larger crisis.
Kaicho ha Maid-sama (22) - I fall more in love with this series every week, as the Usui/Misa-chan relationship gets more and more involved. The bit with the two of them trying to win the weird footman competition, and Misaki's attempts to apologize to and thank Usui afterwards, was good enough, but Hinata's appearance and the way it has affected Usui has been even more entertaining. Great blend of romance and comedy, and more than enough quality in its execution to overcome any lack of originality in the basic ideas behind some of its situations.
K-ON!! (21) - What is really left to be said about this show? Episode 20 was just different gravy, the stops were all pulled out in every aspect of the production. Great animation during the concert sequence, fantastic new songs, tremendous emotional build up during the MC sequences (especially everyone "else" stepping in to introduce Yui) and payoff with the scene in the club room afterwards. This show has an amazing depth to its characters considering how relatively little time is spent exploring them. And it never stops being funny! I can't think of a series I've laughed at so much, even School Rumble or Azumanga Daioh, which would have been my two favorite comedies before K-ON!. Ep 21 was a peach of an episode considering what it had to follow, raising Yui's star even higher (she really has been the outstanding anime character of the year so far for me, along with DRRR!!'s Izaya). I will be very disappointed if the series isn't continued in some way to follow the girls (presumably and hopefully all together) into University.
Mitsudomoe (09) - OK, so it can be kind of one-note at times (the last few episodes especially seem to be leaning hard on the "deliberately vague sentence is interpreted the wrong way"), but the basic outline of each of the three main girls is definitely strong enough to carry the show. My favorite keeps on wavering between Mitsuba (bwwwwwwwwwaaaaaka!!!) and Hitoha, especially with this Gachi Rangers running gag. Feels massively wrong to be comparing this with Hanamaru Kindergarten given the extreme differences in tone, but it's nearly as funny as that at times, which is a pretty decent complement imo.
Nurarihyon no Mago (09) - Much more awesome now that Rikuo is paying due attention to his youkai side. The real appeal of this show for anyone who likes youkai lies, obviously, with the massive range of creatures that it features (you see what I did there?) and there has been no let-down on that score. Gyuki's arc was also pretty cool for showing us an alternate take on some of the characters during his backstory, and the whole series just has a fantastically different atmosphere to so many shounen efforts.
Occult Academy (09) - This is a really odd series. Appropriate, perhaps, for something ostensibly based on the occult, but that's not quite what I mean. It's hard to put your finger on exactly what the series is going for in terms of either tone or narrative, with an extremely variable amount of emphasis placed on the occult in general, the key that Bunmei has come back to look for, the goings on behind the scenes of the school that seem to implicate Kawashima in... something, Mikaze's true intentions behind her relationship with Bunmei... there's a lot going on, entirely apart from the A plot of each individual episode. Taken totally out of context, the show has been highly entertaining on an episode by episode basis. The characters have a great sense of realism to them, the animation is solid, the comedy is well handled, Maya and her amazing array of facial expressions make for a great lead character, but there are ultimately two possible endings for it - either the slightly fragmented nature of the show is indicative of how difficult it is to consistently produce original anime with a cohesive vision (A-1 and the Anime no Chikara block of programming coming to this on the back of SoraWoto, which arguably suffered from lacking the courage of its convictions by the end, and Senko no Night Raid, which was a stunning piece of work that benefited from having a real-life historical backbone around which to weave its narrative) and it will peter out to simply being something that is to be enjoyed and forgotten with the changing of the seasons, or it will all come crashing together in an epic The Usual Suspects-level last couple of episodes, and be remembered as a work of narrative genius. I hold increasingly large amounts of faith in A-1, and absolutely can't wait for their Noitamina show next year, but I'm not 100% convinced that they're going to pull it off this time. Ep 9 was at least very "occulty", and it would be nice if they could carry that sort of thing on through to the end of the show.
--
Wow, been typing for longer than expected. Will get back to flesh out the following shows in a bit:
Ookami-san (09)
Seitokai Yakuindomo (09)
Shiki ( 08 )
Strike Witches ( 08 )
UraBoku (21)