there are more of us who bought manga force?Expansion plans:
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Personally, I'd much rather have had an ancient world without slavery than a contemporary world with pyramids but none of us got to choose.
I was going to reply to this, but then forgot. Probably better in here though.
Recent (looks up articles, blimey 10 years already) finds suggest that they were not built by slaves:
Great Pyramid tombs unearth 'proof' workers were not slaves
Egypt's leading archaeologist says 4,000-year-old burial plots with skeletons expose myth that builders were slaveswww.theguardian.com
This from the Harvard Magazine is even older (and looooong):
Who Built the Pyramids? | Harvard Magazine
Not slaves. Archaeologist Mark Lehner, digging deeper, discovers a city of privileged workers.harvardmagazine.com
Of course! But,That's entirely for the director to decide!
I do when deciding on how much I like what they've given us. And with The Wind Rises it's an interesting film about a man following his dream, interrupted by another man's romance which doesn't add that much and makes it over long. Miyazaki's films regularly hit the 2 hour mark, this being 2:08, but it didn't need to be.But dude! Who says??
I’m a bit late to coming back to this, since I actually didn’t come back to the site until I got my last few deluxe volumes, but on to this...Kotaku | Gaming Reviews, News, Tips and More.
Gaming Reviews, News, Tips and More.www.kotaku.com.au
bull **** theres nothing illegal in those manga titles and reseter is loving the ban.
all those manga titles are available in the uk from places like forbidden planet like a said there's nothing illegal in those manga titles like i said its ********.
But you really don't, though: that's not your role in the scheme of things, because you weren't the film's producer, so you don't get to dictate to the director or studio or decide the rules of filmmaking.I do when deciding on how much I like what they've given us.
the romance could have stayed
there should have been the old "based on true events" statement at the start.
[All emphasis added.]a mainly serious realistic film should stick to being a realistic film and a mainly lighthearted show about friendship can treat its story in a more lighthearted manner.
So the filmmakers make a terrible film, but they hit all the points they set out in the beginning, and you give them a free pass?dictate to the director or studio or decide the rules of filmmaking.
I know you're not referring to The Wind Rises specifically there, because it's my own personal favourite Ghibli film and therefore couldn't be construed as objectively "terrible", but I certainly don't see anything as being giving anyone a "free pass" by any means. But in the case of The Wind Rises I just know that the completed film matches what Miyazaki intended to make.So the filmmakers make a terrible film, but they hit all the points they set out in the beginning, and you give them a free pass?
I think you've nailed the role of the viewer absolutely spot-on there.Once they release it, it's up to the viewer to decide whether they like something or not
Again, for what it's worth, I do notice a break in flow as well, to a degree, but then, it is a much-needed reset for Jiro after the failure of his design in testing. I also think that the film ends on a bit of a weak note, because it's not entirely clear that Jiro's last meeting with Caproni is taking place a full ten years after his beloved Nahoko's passing. Might a "Ten years later..." caption have remedied that? Possibly. But Miyazaki didn't want to get bogged down in on-screen text, so the one and only caption is the poem excerpt at the very start.I still think the way it was done broke the flow too much.
That's why we have to do that Ghibli simulwatch one dayFor what it's worth, one of my least favourite things to do in this world would be to sit and watch Princess Mononoke. I know that a lot of people hold it in high esteem, though, so it would be useless (and unwelcome) for me to pick holes in it
PM was my top pick when we did that ranking list nearly 3 years ago, but then I went to see it at the cinema and:I might change my mind about some of those views someday
Another Miyazaki that hits the 2hr mark, I think my attention span is definitely decreasing. I didn't write it down, but I do remember quite a few drawn out silent moments in it that didn't help, something else you don't notice when watching at home.Still great, but one thing I did realise being a captive audience is that it is on the long side, as I've only ever seen it off a recording on the Sky box or off a disc where you can pause it
Gloves off...That's why we have to do that Ghibli simulwatch one day
The length and pacing is actually an often-cited issue with Princess Mononoke, to be fair. I remember @Hanners taking a look at Studio Canal's Steelbook release during his UK Anime Network days and admitting that his focus does tend to drift a bit in its latter stages. Some people have that problem with The Tale of the Princess Kaguya, too, but I don't, personally. That easily holds my attention all the way through despite it being actually a bit longer.I think my attention span is definitely decreasing
If you come across any other peculiar things, Prof, do feel free to bring them up. I'm by no means an expert, and I'm sure some of the language in Shirow's work must be quite technical and complex, but I'll certainly have a good look at it.going through the manga again, there are a few bits of dialogue that feel kind of non sequitur-like and that just made me wonder if maybe the translation was less than stellar.
You know, funnily enough, I did notice that, despite your photo being of the original "unflipped" layout, the driver's seat of the van is on the opposite side compared to the '95 film. In fact, Kusanagi is sitting against the opposite wall, too.the recent collector's edition being its first printing in the original right-to-left format