Decided to take a BFI Player subscription for a while. They don't have a lot, but what they do have is meticulously curated.
The Bird With the Crystal Plumage (1970)
Dario Argento's calling card to the world is a stylish thriller with excellent cinematography that helped establish a lot of giallo idioms, but I found it hard not to see it as a dry run for the intense, lurid weirdness of his later work.
Interior: Leather Bar (2013)
As a fan (generally) of William Friedkin's '70s output, I've long been aware of Cruising and the controversy surrounding it, but never actually seen the film. This curious companion piece attempts to reimagine the now legendary missing footage cut from that film, which may or may not entirely alter its central character arc, and maybe even reclaim it as a more positive portrayal of the gay s&m lifestyle. Unfortunately, while the film makes good use of its docu-drama setup and often seems to be on the cusp of saying something interesting about masculine identity, it never quite commits to its ideas and ends up feeling a bit aimless.
Wings of Desire (1987)
This is really what I'd subscribed to see. Two angels wander through modern day West Berlin, listening to the thoughts of everyday people and trying to bring comfort to those in need, but one is racked with anguish after failing to prevent a young man's suicide, while the other longs to be mortal after becoming captivated by a circus acrobat on the verge of losing her livelihood. There isn't a huge amount of dramatic development here, but in its own quiet way, this is a gorgeous, mesmerising film that seems to contemplate the very soul of post-war Germany and where it might be headed. Despite his minimal dialogue, Bruno Ganz is on excellent form as the would-be mortal, emoting and gesturing with a Chaplin-esque smiling sadness, but surprisingly, I think it's Peter Falk (yes, Columbo) who absolutely steals the show, playing a weary, befuddled version of himself trying to stay amused on the set of a film.
And one not from the BFI
John Wick 3
It took me two attempts to get into this one (sold out the first time!), but it was worth the wait. Keanu Reeves has rarely been better than he is here as the one-man bloodbath, doggedly navigating some truly top-notch action set pieces. I didn't like this one as much as the second film - I think the story is becoming too convoluted and playing too loose with the rules it's spent so long establishing - but it's a fine continuation of the saga.