Memories:
The more I see of Katsuhiro Otomo, the more I like his work very, very much. And the more I wish I'd encountered his stuff earlier. I mean, everyone's seen Akira, but not everyone knows it's Otomo, and not everyone then goes on to check out what else he's done. Look at me, it took me years. I recently bought and read Domu and enjoyed it for its unabashed sacrificing of plot/characterisation for magnificent thrills. Explosions are his Mona Lisa. It's not a brilliant work but it's the kind of fun where you turn the book around so you can appreciate just how exactly that woman's head splatters under the weight of that pillar from a less obvious angle - precisely what you need for a lazy Sunday afternoon's lusting for artful destruction.
Memories, in that vein, doesn't disappoint. It has slightly better stories (I'm certain the manga that these anime were based on are not availabe in English, right?) while maintaining that sense of wonder for the chaotic. My favourite was 'Stink Bomb'. A madly dashing action piece all about how some guy who becomes a biological hazard. It's a funny set-up followed by grand shiny things blowing up in every which direction, followed by a funny conclusion. 'Magnetic Rose' was more of a conventional 'haunted house' story set in space, although it looked the most theatrical and beautifully composed of the lot (and I agree with Koji Morimoto when he says it's probably the least Otomo of the lot). Also, just look at some of the other talent behind this instalment: script by Satoshi Kon, music by Yoko Kanno. 'Cannon Fodder' is stupendous for a totally technical reason and that's the fact that it is one continuous cut. **** amazing how they did that but retained a coherent enough dystopic parable, getting you to think a bit, pumping out some fun colour concepts (THICK BRIGHT RED CANNONS!!!), and crazy Tim Burton-esque character designs. Curious and intriguing but a strange note to end on for the collection, I felt.
Memories is a really great example of how an OVA should be done and how experimentation with animation should leave us feeling - tantalised, entertained, and not too overwhelmed by the newness.
7.5/10