That's all that normaly gets screencapped form a show: except for animation errors and doing comparison shots between differnt relases.Professor Irony said:Is it just that people would be screencapping the baser, more servicey parts of the show?
That's all that normaly gets screencapped form a show: except for animation errors and doing comparison shots between differnt relases.Professor Irony said:Is it just that people would be screencapping the baser, more servicey parts of the show?
Reaper gI said:That's all that normaly gets screencapped form a show: except for animation errors and doing comparison shots between differnt relases.
Guess it depends which blogs you read, because I can think of several that don't do this.Reaper gI said:That's all that normaly gets screencapped form a show: except for animation errors and doing comparison shots between differnt relases.Professor Irony said:Is it just that people would be screencapping the baser, more servicey parts of the show?
fabricatedlunatic said:Wind Named Amnesia - 2/10
I'm going to spoil the plot of this movie (or what I could discern) because I doubt anyone cares about it and certainly won't be rushing out to buy a copy.
So basically an alien race has been watching over earth since humans first appeared on it, and have spent all those millions of years procrastinating over whether to liberate humanity and take them all back to planet Awesome. Eventually they decide to instantaneously wipe the memory of every human on earth, thereby reducing them to primitive beings. Why? To see how they cope without civilisation and to determine whether or not they are worthy of being saved or whatever. But wait... haven't they been watching over humanity since the very beginning? Why, yes. Yes they have. So they should know that it's not pretty, right? Indeed.
The protagonist is an 18 year-old Japanese kid named Wataru. At first he's as feral as everyone else, but then he meets a wheelchair-bound kid in a battle against a telekinetic zombie thing, and helps him out. It turns out ol' four wheels can speak and uses a brain machine to re-educate Wataru. (I'm not making this **** up btw.)
Long, boring story short, Wataru ends up being the only person on earth who remembers anything from before the apocalypse, except for a mysterious silver-haired woman with whom he travels across America, and who turns out to be one of the aliens. Along the way they meet some other folks and the writers foist upon the hapless viewer some heavy-handed messages about how humanity functions in the absence of civilisation. Booooring.
Oh, and Wataru is being chased around by a mecha thing for some reason. And there's some nipple sucking at the end - that's essentially what the two points are for.
Shame you didn't like Summer Wars, but I would be happy enough if we knew what this was going to be, so that we could look forward to it with our varying levels of anticipation.fabricatedlunatic said:now I'll approach Hosoda's next work
fabricatedlunatic said:Hyper Police is a bit like Patlabor, only with furries. And no robots. And shallow characters. It's fun but you'll want to look elsewhere for any substance.
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Summer Wars - 5/10
Well, I finished it, but after seeing how cheesy the ending was I kind of wish I hadn't. At times this movie wallows in pure Hollywood schmaltz.
I think the problem I have with Summer Wars is that it tries to be too many things, and it's none of them convincingly. It doesn't work as a romantic comedy because the leads are painfully dull and there's practically no romantic development between them. As a family drama it's partially successful thanks to the film's one strong character, but most of the rest of the large ensemble cast are non-entities as individuals and do nothing but make noise as a collective. I never really cared about any of them. And the Oz thing I found incongruous and outlandish at best and completely uninteresting at worst. Again, I found it difficult to care.
On the plus side Summer Wars is occasionally amusing and always beautifully animated. One scene in particular, in which two characters hold hands, was moving simply because of the subtle but fluid animation of their fingers intertwining.
Bit gutted, really, as I love The Girl Who Leapt Through Time and now I'll approach Hosoda's next work with less enthusiasm.