Higehiro (After Being Rejected, I Shaved and Took in a High School Runaway)
The premise of this show is like watching the writer attempt to ballet dance through a minefield. Yoshida, a 20-something salaryman, takes in Sayu, a teenage runaway who has been sexually abused by every man who put a roof over her head up to that point. She has become so accustomed to that sort of arrangement that she immediately starts offering herself to him as payment, but fortunately Yoshida has some integrity, and refuses. Or maybe it's just because he prefers older women with enormous breasts (as he repeatedly insists).
Higehiro is a tricky one. Many light novel adaptations follow the highly stylised school of anime drama writing, but Higehiro is trying to be a more grounded drama. It succeeds in some places and fails in others. Its strengths lie in its broad strokes. The premise is a natural wellspring of conflict, and the overall structure of the show is good, telling a complete story with a strong narrative arc. The domestic scenes with Yoshida and Sayu, which could easily have been a trainwreck, are also mostly well handled, thanks to Yoshida never once wavering in seeing Sayu only as a kid who needs protecting, and not a potential love interest.
Where the story fails, and at times fails spectacularly, is in its dialogue. Honestly, there were places where I wasn't sure if the author had ever spoken to another human being. The lower-key scenes are fine, but any time the dialogue reaches for emotional insight or dramatic escalation it becomes painfully clear that the author is trying to punch several classes above their weight. When you get to episodes where a rapist starts seeming more reasonable and sympathetic than one of the women who has fallen for the main character (and who continually insists on yelling at everyone about things that are none of her business), it's clear that something has gone wrong.
The mediocre animation and direction does the show no favours with these problems. This comes to a head in the penultimate episode, the most important confrontation in the story, where it becomes clear that no one involved is capable of pulling off these scenes of high drama. I half-expected the end credits for that episode to say, "Guest Director: Tommy Wiseau." Don't play the drinking game where you have to take a shot every time someone hits the table. You will die.
Yet, despite these sometimes crippling problems, the cathartic strength of the story's narrative arc pulls it through. No matter what hollow gibberish the characters came out with sometimes when they opened their mouths, I never stopped being engaged by Sayu's plight or Yoshida's attempts to help her, and that's no small feat. They're the solid core in a story that keeps threatening to collapse around them, and the main reason why this show is at least worth watching once. This review might not read as high as a 6, but I'm giving this one more points for effort than attainment.
6/10