ayase
State Alchemist
Even though it’s been a while since I watched Elfen Lied, I had heard a lot of strongly conflicting opinions about it (even here, though I don’t thinks its biggest detractors or defenders are around any more) before I did, and I can’t deny that’s partly what attracted me to it. I ended up appreciating it a whole lot, since “enjoying” is probably not the right word.Elfen Lied feels like a very meta title to me these days. It's a siren song that lures you in with that beautiful opening, the gorgeous artwork, and the non-stop oppai, and only then starts to beat you over the head with all the scenes of women being abused and sliced to pieces. It's one of only two anime I've seen that thought we needed to be shown a child's intestines (the other being Genocyber). The writers of both need to sit the corner and reassess their lives.
I think some of the criticisms I hear are a bit wrong-headed, particularly accusations of it being a harem (not only is that a bit of a horrible thought due to Mayu’s presence) but I think it becomes more obvious that what Kouta is really doing is desperately trying to recreate a family who he wants to feel happy and safe (for reasons which become obvious). I can perhaps see it playing more like a harem to people who are into (or critics of) that whole moe protectiveness thing, but I would have imagined moe fans would be rather put off by all the horror and suffering. I never felt particularly titillated at any point during Elfen Lied, not even by Lucy (Psycho Killer Ver.) because the characters were so screwed up and abused it would have seemed a bit wrong.
As for the violence and gore, I admit to being pretty desensitised to such stuff, so it doesn’t particularly bother me. Rarely does anything live up to my expectations when its sold as “dark” or otherwise “effed up” but Elfen Lied at least gave it a good go. I see it more as “childhood trauma: the anime” and on that front I thought it did a pretty decent job. I felt for the characters and I wanted them to find their happiness even against all the odds of their pasts and the forces acting against them, which all amounted to the same thing: abuse at the hands of people more powerful than them. I certainly never thought it glorified any of that abuse (except perhaps when Lucy was dishing it out, which was by turns a sad result of her own experiences and a kind of cathartic payback) so while I can’t speak for Brynhildr (having not seen it) I’d reject any accusations of misogyny on that particular show’s part.