Sorry everyone, just didn't get a chance to keep up but have been watching in bits and pieces and finally finished it all today.
Chapter 6 - most anime use the beach episode to take a break from the drama and action but this is GoS, so we get a trip to Hogwarts instead! I enjoyed the mystery element. Interesting how the show sometimes reveals the plot straight out early on, potentially in the knowledge that the viewers will suss out the not so subtle hints, as in this chapter. But at others times it keeps it's cards very close to it's chest, as with the murder speculation chapters (provided you don't watch any post-credits scenes that is) but mainly in the great build up to chapter five. Azaka like the majority of anime sisters, does not give in to the taboo that is non-consanguinity, and is very happily following the norm by being head over heels for her oneeeeeechan, with his personality being so captivating that she can't even remember why. Her interactions with Shiki are pretty funny.
Chapter 7 & the epilogue chapter - the non-linear beast once again rears its head by finishing the saga with the completion of the protagonists' origin story, a great touch again for me with all of it being like a mountain climb, with the Paradox paradigm chapter being the pinnacle. Shiki did not in fact kill anyone all those years back but just had impeccable timing for fresh murder scenes. But Rio's reveal had been utterly ruined in the post-credits scenes of both the fourth and sixth movies - such a shame as I'm sure the interest from their contents could have still been significantly piqued without outright revealing the killer's identity. I like the crafting of the origin aspects of the lore, even with the clunky exposition, and felt the use of both Rio's and Shiki's was done very well. With my first watch Rio has just come across as a canabalistic sex pest for Shiki, but this time around I definitely felt he has in fact been portrayed in a very bestial form. Likewise with the base Shiki personality's talk of the Shiki origin being nothingness and therefore the desire for oblivion to return to said nothingness I thought was a nice touch.
I quite enjoyed the epilogue with my first watch and still did on this occasion. Mainly down to the wonderful scene setting with the gorgeous snow visuals (the Christmas episode!!) and lovely score. Even the philosophising, which I found more miss than hit in the other movies, I thought was easier to sit through (even though like puppy boy, my true reaction to Shiki's chat was "I don't follow what you're saying"...). Still chats around attempting to link and rationalise the soul and the mind, the perceptible scientific/biological & the metaphysical/assumed I always find interesting as well as the chicken & egg elements of these.
In the end, I found Garden of Sinners (what a great title by the way; I need to look up again the meaning of the Japanese title, Kara no Kyoukai, which also sounds rather beautiful whatever it may mean) just as intriguing on second watch as with my first. As
@Dai had mentioned early on, it very easily could have been a lackluster & exploitative anime but the talent behind it certainly did a good job to make it special with the non-linearity probably only being second to Monogatari as
@WMD mentioned.
Many aspects of it reminded me of Satoshi Kon.
That is a very good comparison, I didn't think of it that way at all but I can certainly see some similarities now that you've mentioned it.
I will however not forget some of those scenes easily, especially the casual domestic abuse followed by frying pan to the head.
It's always so unsettling to see the victim just taking that kind of abuse without any resistance, which is why that frying pan to the head was hilariously cathartic. The stabby stabby thereafter not so much...
Of the 3 magi, Touko is pretty bad ass, I loved how she died and then was like "I'm back!"
No doubt a badass (and also a realistic one at that by knowing when to not get back into the fight!), but I also found her as chillingly ruthless as Araya, with how she was quite willing to win at any costs, including sacrificing a perfect copy of herself, and therefore effectively herself, to a fate like that to succeed. Made me shudder.
but I learnt a while ago that the series doesn't need you to fully understand events to enjoy it, I can see why re-watching these films is a good idea, but I confess I think I've forgotten too much of them since my last watch to really build on what I understood from my original viewing much
Couldn't agree with you more! Definitely best to let it wash over you. I found it interesting to dig into its lore after the first watch but I'd forgotten it all by this watch heh.
I liked how they showed Shiki killing the lock with a ruler
If she can see it, she can kill! That reminds me of how much I liked the animation of how she visualised the mystic death eyes skill after awakening from get coma - though that was very cool.
I should apologise that I have fallen off the train unfortunately. After the 2nd movie I haven't had an opportunity to watch it. I will try and catch up soon.
I've clearly been in the same boat heh.
I can see what you guys mean that Araya resembles Kirei, they even share the same VA.
I had a feeling it was the same VA! Definitely see a lot of the fate characters' proto-versions in GoS but none as obviously as Kirei/Araya. No surprise they wanted to hold on to a character like Araya in as similarly creepy a form as possible.
why oh why does Azakas flaw have to be shes in love with her brother. It is so lame and nasty and unnecessary.
Heheh my eye-rolling muscles have had some serious workouts with bro/sis-conning in anime, and it's a miracle the Japanese population is not a genetic mess if this is all hinting at underlying desires!
It's a shame that the ending of the previous film gives away who the killer is as it wouldve made the first half far more engaging if Shiki could've actually been the murderer.
Completely with you there, it really had a lot of potential to keep the speculation (talk about a misnomer title...) going. Even with Rio appearing as a blonde Shiki doppelganger, it could've very nicely kept the mystery and provided further misdirection until cockatoo revealed his identity nearer the end.
I agree with your assessment @WMD the film felt a bit over-long.
I actually thought that the story was paced relatively well in this movie despite it being long. Maybe it's just me heh.
Clearly it's all puppy boys fault for trying to stop her becoming a murderer.
Yeah I was wholly with Touko on this one with these two's Batman-no-murder rationalising just not holding water when faced with someone that was just not human anymore, and that too by choice. Still, at least Shiki had enough of him in the end and made use of those
chefy knife skills.
The main set of 7 movies worked pretty well because the philosophical bits were short and not really the main focus.
Heh it was the opposite for me, I found the rambling (I'm one to talk...) in the other movies more bothersome and wished for a good bit of editing in those, more so than the epilogue. But maybe that's because knowing the story is ending I had more patience for the characters to have their one last hurrah. Though likely also helped by the fact that I did really like the third Shiki, confirmed only here, being the one puppy boy met right at the start and here at the end.
There was a bit of a plot hole at the end, where Kokutou consumed a highly potent drug that will apparently kill him, but nothing is mentioned on how he survived this.
Another good catch dude heh. It was clearly by the power of luuuurrve.
Also I kept thinking that bad guy, Shirazumi, looked like Ed from Fullmetal Alchemist. He even lost an arm.
Heheh you really are very good at putting these links together.
I've found out that there is another film called Mirai Fukuin or recalled out summer. I wonder if that will ever become available in the UK.
Likewise, though I really like the way the epilogue closes out the saga and therefore feel no need to watch another subsequent movie, unless it's based prior to the the epilogue in its timeline.