But isn't asking Japan to change its entire mindset to cater to the current western view of how homosexuality should be presented quite a stretch? It seems to be getting there naturally by a different route (I don't think anyone would have even blinked an eye if the leads of Tiger & Bunny had got married at the end after seeing them bonding all season long, and Yuuri!!! On Ice dispensed with the shyness as much as it's reasonably possible to expect from a culture so intensely private about relationships in general). Openly gay characters are rare - and this is something which needs to change across society as a whole including in our own country - but there are plenty who present as not-conventionally-straight to anyone reading without assuming everyone is straight by default IMO.
Japanese culture has always taken a different path to us with regards to homosexuality in general. While we were burning random women at the stake for being witches and instituting increasingly melodramatic sodomy laws to ban homosexuality for no real reason (it doesn't sound that different from today), Japan was being dominated by rulers who ranged from openly gay to openly bisexual. Oda Nobunaga is a celebrated military genius/demon whose affection for one of his male assistants is one of the most famous things about him even centuries later, and it's not viewed as a big deal. Takeda Shingen is another historical figure still greatly respected in modern Japan, and he was
very clear about preferring the company of men during his lifetime. There are numerous examples of leaders who opted to retain the shudou lifestyle and adopt heirs rather than keeping female concubines and wives around to perform the usual procreation duties, while others would take their concubines and politically-motivated marriages then also indulge in male relationships on the side without being questioned. Male-male relationships were normalised and regarded as enriching, so of course the lines for accepting strict 'gay' or 'straight' labels were blurred even back then. To ignore hundreds and hundreds of years of history which brought Japan to its current mindset would be the same as ignoring the hundreds and hundreds of years of history which brought us to ours, and all of the shame that should rightly be felt about how poorly openly LGBTQ+ people have been treated to date. Complaining about Japan being backwards seems to do the opposite and present us as forward-thinking when we were still chemically castrating people we believed to be gay only a few decades ago. As a culture, are we sidestepping our own feelings of guilt by worrying that someone else might not be as enlightened?
As I said before, the ideal society for me is one where anyone of any gender, race or background can find someone they love and not worry about being persecuted or judged for it because a bunch of zealots think that their religious prejudices trump basic human compassion. In such a utopia, there would be no need for labels at all. Since society seems to be struggling to get there on its own, many people are bravely coming out into the open and applying labels to themselves to make a stand ('I'm gay' is a much more compelling way to bring something into the limelight than a vague 'some men exist who like men'). I think that's very important, but if we can also push the agenda that loving the people you love is right and correct then to me, skipping that step from time to time is also ok. Better than ok; it's what I want to see in fantasy because it leaves all of the endless back-and-forthing we've had over the course of history behind and just gets on with depicting equality in love to show people that it's a good, wholesome way to live. I think that Yuuri!!! On Ice pitched it perfectly within the cultural context of Japanese society.
If pushed to label I don't think it's wrong to interpret that Yuuri is probably gay and Victor is probably gay or bisexual (Yuuri seemed to think he had likely had relationships with women IIRC but nothing was explicitly confirmed). But however they personally might decide to identify their love was respected and grew into a mutually loving gay relationship. Great. And given how well it's doing, I think it's safe to say that the fear of depicting such things in a mainstream show might have taken a noticeable hit.
One of the strengths of anime as a medium is that a lot of the original stories come from very diverse sources; while you get the same core teams of writers behind a lot of different shows in the US/UK, in the Japanese industry the source material is often a manga or a novel which is that particular writer's sole claim to fame. As a result, to see a sea change in the way these issues are presented requires changing the attitudes of Japanese society as a whole (or encouraging directors to change the material to make it more representative which is difficult to do in a way that isn't awful unless they're deeply invested in the issues personally with all of the insight that involves). There
are creators who are coming up with stories which explore what it means to be an actual homosexual person in modern times. We should support these, and if they ever get animated we should support those adaptations. When it
is done right, why do those shows languish unlicensed or get quietly pushed out with little celebration? Why isn't Wandering Son licensed for home video anywhere in the English-speaking world, despite being closer to the current western ideal of how LGBTQ+ issues should be represented than many shows which have been? Why aren't more people reading and buying relatively mainstream titles like those by Yoshinaga Fumi and the very lesbian-tinged artsy josei works previously published by several different US companies, or LGBTQ+ friendly traditional works like those by Yazawa Ai, or the BL/GL titles which treat the subject matter more tastefully than bodice rippers where traditionally straight men/women are swept away by a sudden rush of passion for a hot newcomer?
I think that as fans, we have to examine how we feel about LGBTQ+ issues in anime for ourselves as individuals and in the titles we choose to enjoy rather than expecting Japan to change to accommodate us. We should support and publicise successful depictions and debate the more questionable ones.
Sorry for rambling. To lighten the mood, here's a pop song with Nobunaga and his page as idol singers shouting about how great their love is (this isn't the best version but it actually has English subs, even if they are probably still incomprehensible to people who don't like Japanese history).
R