Yakuza Fiancé: Raise wa Tanin ga Ii ep1: I struggled with most of this first episode, which pitched itself as a spicy yakuza romance then provided a lukewarm school romance instead. And the animation is weak, with simplistic designs and unambitious staging; the former could have worked if the direction was more exciting but as-is it's all very plain. I kept going because the voice cast is ridiculously good and mercifully the story picked up right at the end of the episode, with an utterly stupid reveal which actually worked and made me want to watch more. It earns a second episode to convince me that it will be the right kind of ridiculous from now on. I like that the yakuza families are portrayed more toxically instead of the comedy yakuza we've had in so many other shows lately; silly gangsters are funny too but problematic romances are often more interesting to watch.
Mecha-Ude: Mechanical Arms ep1: An urban action/sci-fi romp which really wants to be a less horny Kill la Kill, even down to getting Sawano on board for the theme music. It also has elements of the Parasyte series, because our insecure, awkward hero ends up hosting a giant, transforming mechanical arm-thing, effectively (and also literally) painting a target on his back for other wielders of similar arms to hunt him. There's a lot of style (albeit heavily borrowing from Kill la Kill) and a lot of combat, and everyone is spiky-haired and dramatic, so there's a lot to like here if you're after an all-ages action show with a typically bonkers storyline. In my case there's no hook which makes me want to continue enough to displace something else from my shortlist for the season. Cool logo, though.
Kinoko Inu ep1: Why does this show have full-length episodes? There was only enough content in the first for a short, but for some reason they decided to make it a full series and just make everything happen at a quarter of its normal speed with huge gaps in between each brief exchange of dialogue. Everything was dragged out so much that by the end I was struggling not to laugh at the calculatedly sad music and repeated shots of sad mementos, which is unfortunate because the actual story is a sad tale of pet loss. We're introduced to an introverted author who has recently lost the beloved dog he'd bonded with right after he was orphaned as a child, at which point a strange 'mushroom dog' appears in his garden and gently forces him to work through some of his grief. It would probably be perfectly charming as a series of shorts but this is just too much; too much slow-paced scene-setting, too much strangeness and way too much schmaltz.
DEMON LORD 2099 ep1: This sounded like irredeemable rubbish from its description on Crunchyroll so I was pleasantly surprised when it was only mediocre instead. An immortal demon lord loses in the climactic battle against the hero of his generic fantasy world, and when he revives he finds the world has changed into a generic cyberpunk rendition of post-apocalyptic Tokyo. The lead is utterly insufferable and keeps monologuing and doing idiotic things, so I have a lot of sympathy for the minion he meets who has made a life for himself and doesn't want to work for a literal loser any more. Most of the characters in this show suck, with the only ray of light coming from a sassy hacker girl who is obviously going to come back again later. The hero is blatantly coming back again later too, so the immortal/mortal distinction which underpinned the first act is unlikely to be all that relevant going forwards. The setting shows an astonishing lack of imagination in some ways (why, in a world with such advanced technology, is everyone watching crummy-looking modern day VTubers on the big screens in the street? Are VTubers futuristic now?) and almost nothing that happens makes any sense, but somehow it's all such a mess that it sort of works in spite of itself. If you just want to rewatch the familiar story of a pompous demon lord in an unusual setting and have a love of black and neon, this isn't as bad as it could have been.
R