Buzz201
Mad Scientist
Sorry for the weird thread title, I'll try and come up with something better. I appreciate most of this thread is probably self-indulgent whining, but please go with it.
Recently, it has become clear to me that my wants and desires aren't the way the physical anime home video market is heading, and it's increasing leading to friction. I have now come to the understanding that it would probably be best for me to go streaming-only sooner rather than later. I am however having some difficulties with this. Aside from the obvious (lack of extras/OVAs/shorts/dubs/anything Toei or Manga UK, non-indefinite availability), one of problems I'm facing is that for me streaming doesn't feel "tangible". With streaming, once the show ends, its gone forever without a physical trace. Somebody could enter my room and perhaps not even know I was an anime fan. I appreciate this is purely psychological and perhaps personal only to me, but I'm worried I'll stop feeling "connected" to anime and fall off the wheel.
Take AUKN for example, the vast majority of the discussion is about home video and various different distribution and licensing companies. If I massively scale back my anime purchasing, how can I participate in such discussions? There is discussion of simulcasting anime, but like most anime fandom it tends to be limited to certain series. This season for example, Re:ZERO, Danganronpa 3 and JoJo’s Bizarre Adventure: Diamond is Unbreakable seem to be getting all the discussion. If you don’t watch the ‘in’ series, you’ll be left out. I guess my concern is that I’ll start to miss out on the communal aspect of anime fandom, if I don’t buy home video like everyone else does.
The final problem is perhaps more complicated. Just streaming shows doesn’t feel like supporting anime, even though it is. If we were even more brutal, we might ask if streaming-only is even making a meaningful contribution to supporting anime. I subscribe to Crunchyroll for £4.99 a month, and according to their PR people they split revenues 50/50 with the Japanese producers. At my £4.99, minus 3.5% (18p) and 20p as PayPal’s fee, leaves £4.61. Meaning the most I will contribute if I only stream is £2.305. To put this into context, even if all of Crunchyroll’s 750,000 subscribers watch only the one show and all paid £4.99 per month, their combined revenues wouldn’t cover the cost of producing that show. They reach £1,762,000, which just falls short of the 250m Yen figure cited for the production of P.A. Works’ Shirobako. This is not an argument against legal streaming, clearly any money is better than no money. However, knowing this, I think I would still maybe feel guilty that I wasn’t contributing to anime in a meaningful way.
I suppose you could argue that even if you buy a home video a large percentage of that will be mark-up and only very little will make it back to the licensor and then even less to the Japanese producers. I doubt a licensor would ever be willing to give specific figures, but buying the home video release feels like you’re contributing more, not just to the Japanese producers but also to your local industry. I have Assassination Classroom Part 2 on pre-order. Even if all of the £25 doesn’t go directly to the Japanese producers, the parts that don’t will go to helping HMV and encouraging an anime presence there, allowing Anime Limited to do interesting and exciting things and keep making better releases, and potentially help cover them if some of their riskier titles don’t pay off, allowing for more obscure titles to get released. Whereas, the part of my Crunchyroll that doesn’t go to the Japanese producers, probably isn’t going to do much if anything for the UK anime scene. The one UK convention appearance and one UK & Ireland-only title in recent memory demonstrates they don’t have much of an interest in us. Sure that money will help AT&T and The Chernin Group and Crunchyroll get anime out there and do interesting things and pick up more titles, but my cynical side doesn’t think that’s going to give much benefit to the UK. Illogical as it is, if something happened to a UK anime distributor, I’d probably feel guilty about any role I might have played in their closure. I know the more callous and logical among you, would say it was their fault for not serving the audience, but I don’t know that I’d feel like that if something ever did happen. I also suspect there might be resentment from those that did support home media if streaming-only fans were perceived to cause a distributor’s problems.
This thread has perhaps been a bit moany but I figured it might be worth having a discussion about this, to try and see what others think, and to see if there are any potential solutions to some of these.
Recently, it has become clear to me that my wants and desires aren't the way the physical anime home video market is heading, and it's increasing leading to friction. I have now come to the understanding that it would probably be best for me to go streaming-only sooner rather than later. I am however having some difficulties with this. Aside from the obvious (lack of extras/OVAs/shorts/dubs/anything Toei or Manga UK, non-indefinite availability), one of problems I'm facing is that for me streaming doesn't feel "tangible". With streaming, once the show ends, its gone forever without a physical trace. Somebody could enter my room and perhaps not even know I was an anime fan. I appreciate this is purely psychological and perhaps personal only to me, but I'm worried I'll stop feeling "connected" to anime and fall off the wheel.
Take AUKN for example, the vast majority of the discussion is about home video and various different distribution and licensing companies. If I massively scale back my anime purchasing, how can I participate in such discussions? There is discussion of simulcasting anime, but like most anime fandom it tends to be limited to certain series. This season for example, Re:ZERO, Danganronpa 3 and JoJo’s Bizarre Adventure: Diamond is Unbreakable seem to be getting all the discussion. If you don’t watch the ‘in’ series, you’ll be left out. I guess my concern is that I’ll start to miss out on the communal aspect of anime fandom, if I don’t buy home video like everyone else does.
The final problem is perhaps more complicated. Just streaming shows doesn’t feel like supporting anime, even though it is. If we were even more brutal, we might ask if streaming-only is even making a meaningful contribution to supporting anime. I subscribe to Crunchyroll for £4.99 a month, and according to their PR people they split revenues 50/50 with the Japanese producers. At my £4.99, minus 3.5% (18p) and 20p as PayPal’s fee, leaves £4.61. Meaning the most I will contribute if I only stream is £2.305. To put this into context, even if all of Crunchyroll’s 750,000 subscribers watch only the one show and all paid £4.99 per month, their combined revenues wouldn’t cover the cost of producing that show. They reach £1,762,000, which just falls short of the 250m Yen figure cited for the production of P.A. Works’ Shirobako. This is not an argument against legal streaming, clearly any money is better than no money. However, knowing this, I think I would still maybe feel guilty that I wasn’t contributing to anime in a meaningful way.
I suppose you could argue that even if you buy a home video a large percentage of that will be mark-up and only very little will make it back to the licensor and then even less to the Japanese producers. I doubt a licensor would ever be willing to give specific figures, but buying the home video release feels like you’re contributing more, not just to the Japanese producers but also to your local industry. I have Assassination Classroom Part 2 on pre-order. Even if all of the £25 doesn’t go directly to the Japanese producers, the parts that don’t will go to helping HMV and encouraging an anime presence there, allowing Anime Limited to do interesting and exciting things and keep making better releases, and potentially help cover them if some of their riskier titles don’t pay off, allowing for more obscure titles to get released. Whereas, the part of my Crunchyroll that doesn’t go to the Japanese producers, probably isn’t going to do much if anything for the UK anime scene. The one UK convention appearance and one UK & Ireland-only title in recent memory demonstrates they don’t have much of an interest in us. Sure that money will help AT&T and The Chernin Group and Crunchyroll get anime out there and do interesting things and pick up more titles, but my cynical side doesn’t think that’s going to give much benefit to the UK. Illogical as it is, if something happened to a UK anime distributor, I’d probably feel guilty about any role I might have played in their closure. I know the more callous and logical among you, would say it was their fault for not serving the audience, but I don’t know that I’d feel like that if something ever did happen. I also suspect there might be resentment from those that did support home media if streaming-only fans were perceived to cause a distributor’s problems.
This thread has perhaps been a bit moany but I figured it might be worth having a discussion about this, to try and see what others think, and to see if there are any potential solutions to some of these.