ayase
State Alchemist
New Dominion: Vol. 1 - "If we got in, we should be able to get out"
It's so... bright. And so '90s. By which I mean both the production, and the world of New Dominion itself. The Tank Police HQ literally looks like a '90s police department from the steel desks to the CRT TVs, the box files to the coffee machine. NINETIES. It does look fantastic - We're still in OVA territory after all, which in the '90s meant gorgeous backgrounds and superb level of detail. I'd never knock New Dominion from a technical standpoint, but as Prof mentioned it feels like the setting has certainly lost something. Even the police cars look like they were made by doing a cut-n-shut with a Porsche 924 and a Ford Escort.
So Leona's stopped dying her hair and the Pumas have decided to start because redhead quota, I guess. New Dominion Leona is certainly a more aggressive character, which is probably a good job because with all the world changes Dominion really would start to look like "Patlabor with Tanks" otherwise (even Higashina and his tank and his little game with the Tank Police have something of the SCHAFT about them). The comedy and exaggeration has certainly been dialled down a bit too, that or Brenten has started to mellow out in his old age. It felt a bit "tank procedural" really, certainly more attention was being paid to how a tank actually works (not that we can really count Bonaparte, physics defying as Leona's favourite little tank is). Unlike the earlier OVA, my memory of New Dominion is almost non-existent, so it's good to revisit.
Despite being burnt by the initial sunlight, at least most of the action this episode took place in the dark. And we have to talk about the spider tank, because I guess Shirow really, really likes the idea of tanks that look like spiders. Why mess with success? I have to wonder if he's explained the way they were supposed to move to various production teams over the years (that distinctive skating along leaning into curves) or whether the staff of GitS:SAC were familiar with NDTP, because they move exactly the same way in both. Somehow I get the feeling Oshii was familiar with it...
Speaking of the other guy who shares equal blame for me being here on AUKN in the first place along with Shirow, there is some incredibly Oshii-ish direction going on at the end of this episode. The entire scene with the helicopter bringing the Man in Black to assassinate the fake Higashinada is so Oshii I can't help but wonder if the man himself didn't sneak into the studio one night and stick some of his own storyboards in with the others.
Finally, a word about music. This OP feels a lot more fitting for Dominion to me than either the English or Japanese versions from the previous series. The ED is pleasant enough, but not as good as either the English or Japanese from the previous series. And that frantic BGM that sounds like you're running out of time on a NES game, I could have done without.
It's so... bright. And so '90s. By which I mean both the production, and the world of New Dominion itself. The Tank Police HQ literally looks like a '90s police department from the steel desks to the CRT TVs, the box files to the coffee machine. NINETIES. It does look fantastic - We're still in OVA territory after all, which in the '90s meant gorgeous backgrounds and superb level of detail. I'd never knock New Dominion from a technical standpoint, but as Prof mentioned it feels like the setting has certainly lost something. Even the police cars look like they were made by doing a cut-n-shut with a Porsche 924 and a Ford Escort.
So Leona's stopped dying her hair and the Pumas have decided to start because redhead quota, I guess. New Dominion Leona is certainly a more aggressive character, which is probably a good job because with all the world changes Dominion really would start to look like "Patlabor with Tanks" otherwise (even Higashina and his tank and his little game with the Tank Police have something of the SCHAFT about them). The comedy and exaggeration has certainly been dialled down a bit too, that or Brenten has started to mellow out in his old age. It felt a bit "tank procedural" really, certainly more attention was being paid to how a tank actually works (not that we can really count Bonaparte, physics defying as Leona's favourite little tank is). Unlike the earlier OVA, my memory of New Dominion is almost non-existent, so it's good to revisit.
Despite being burnt by the initial sunlight, at least most of the action this episode took place in the dark. And we have to talk about the spider tank, because I guess Shirow really, really likes the idea of tanks that look like spiders. Why mess with success? I have to wonder if he's explained the way they were supposed to move to various production teams over the years (that distinctive skating along leaning into curves) or whether the staff of GitS:SAC were familiar with NDTP, because they move exactly the same way in both. Somehow I get the feeling Oshii was familiar with it...
Speaking of the other guy who shares equal blame for me being here on AUKN in the first place along with Shirow, there is some incredibly Oshii-ish direction going on at the end of this episode. The entire scene with the helicopter bringing the Man in Black to assassinate the fake Higashinada is so Oshii I can't help but wonder if the man himself didn't sneak into the studio one night and stick some of his own storyboards in with the others.
Finally, a word about music. This OP feels a lot more fitting for Dominion to me than either the English or Japanese versions from the previous series. The ED is pleasant enough, but not as good as either the English or Japanese from the previous series. And that frantic BGM that sounds like you're running out of time on a NES game, I could have done without.
Last edited: