Rate the Last Film You Watched

Just watched Charisma on the Cloud/Charisma double pack that came out recently from Eureka.

Blew me away. Odd, sometimes darkly funny and something that I imagine will get better on repeat viewings. This sort of film is what drew me to Japanese cinema in the first place. Just something you don't get anywhere else.

Who knew a film about a tree could be so captivating?
 
After 3 1/2 months I finally got to see Avatar-Fire And Ash last night and in a word it was fantastic! I'd rate it 8 out of 10 possible points. I wonder if there will be a forth film?
 
Just watched Charisma on the Cloud/Charisma double pack that came out recently from Eureka.

Blew me away. Odd, sometimes darkly funny and something that I imagine will get better on repeat viewings. This sort of film is what drew me to Japanese cinema in the first place. Just something you don't get anywhere else.

Who knew a film about a tree could be so captivating?

Just finished watching Cloud and somehow it was even better. Gripped from the start and the last 45 minutes or so and ending were so different from the first half. Another one that will benefit from watching again.
 
War Machine
A team of army rangers candidates get more than they bargained for during a training exercise when they're attacked by a giant alien robot. Toss in a standard redemption story and there's not much else to say about the plot of this one. It's competently made and takes a surprising amount of time building up its damaged protagonist before the action starts, but it's also the most blatant recruitment ad for the US military that I've seen since Battle: Los Angeles, despite the gore and body-count. Maybe worth a watch if you can stomach its patriotic fervour in the current political climate.
 
Since last month I've joined Cineworld's Unlimited membership as I decided to check out more films on the big screen than per usual. Not every film will be able to screen at the York location, so I'll have to rely on Picturehouse for any foreign and niche films (for example No Other Choice and The Secret Agent). Anime Limited outside of the big ones won't make it to my area either.

I wanted to highlight a brief look at my thoughts on each one.



2025's list in my opinion were (1 being my favourite):
  1. Chainsaw Man - The Movie: Reze Arc
  2. Marty Supreme
  3. One Battle After Another
  4. 28 Years Later
  5. KPop Demon Hunters
  6. The Long Walk
  7. Sinners
  8. Wake Up Dead Man
  9. Frankenstein
  10. The Phoenician Scheme
  11. Weapons
  12. Warfare
  13. Superman
  14. Thunderbolts*
  15. F1


For 2026 so far, here are my current rankings.

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#1: Project Hail Mary
The new film by the directors of Cloudy with a Chance of Meatballs and writers of Spider-Man: Into the Spider-Verse, this epic sci-fi journey is based on a book written by the author of The Martian. I've not seen The Martian but I have heard it was pretty good, and so with that in mind as well as the team involved plus Ryan Gosling in the lead role I was pretty excited to check this one out especially as the trailers were promising.

I can confirm this film was amazing. This is a perfect film to watch in IMAX because the visuals looked stunning in that format. What they have done is that all of the space sequences are in the IMAX format whilst the scenes on Earth were regular widescreen so it helps with the timeline. Ryan Gosling nailed the role and is really likeable throughout the whole journey, plus it wouldn't surprise me if he manages to get a nomination for Best Actor in next year's Oscars. The standout overall has been the music and visuals because they were beautiful, reminded me a lot of Christopher Nolan's Interstellar. The film is fairly long but I think the pacing was spot on and the ending was wonderful. Technically the film isn't supposed to be out until 18th March but there were advanced screenings this past weekend.

Upon first viewing I'm giving this a 5/5, may shift down to 4.5/5 but it's currently the contender for my favourite 2026 film of the year so far.

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#2: 28 Years Later: The Bone Temple
The second instalment in the new 28 Years Later trilogy goes for a pretty bold move of having a different director take over Danny Boyle with this one. Nia DaCosta's track record has been rocky but this film was really good. Alex Garland is one of my favourites in Hollywood and the stories told here were great. The standout here is Ralph Fiennes going all-out with his performance and his storyline focused on Samson was amazing but also unique to the zombie genre because I've never seen this concept come up beforehand. Alfie William's character does take a backseat compared to the previous film and is rather noticeable but Jack O'Connell also smashed it as the antagonist here. Their storyline was not perfect and could have been better, but the final act makes up for it which was completely bonkers in a good way. Regardless I am very much looking forward to the next instalment.

Upon first viewing I gave the film a 4/5.

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#3: Hoppers
It has been a long time since I've seen an original non-sequel Pixar film, like we're talking Wall-E, Up and Brave era here. I fell off the Pixar train a while back but I decided to give them another shot with this intriguing film Hoppers. Hoppers was a wonderful trip and surprisingly entertaining throughout. The animation was stunning and very anime-esque in a way which was interesting (looked similar to Studio Ghibli's Pom Poko in a sense with how they handled the perspectives between humans and animals). The humour was very fun and the direction of the plot was great. There's a lot of pretty big themes here related to responsibility and nature, and I think it was done well. Ending was great too.

Upon first viewing I gave the film a 4/5.

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#4: Crime 101
A niche choice here in my opinion since not a lot of people will talk or care about this one. Bart Layton's Crime 101 was a pretty neat crime noir thriller focused on different characters that intertwine over the course of a series of robberies. Both Chris Hemsworth and Mark Ruffalo were fantastic with their roles as the thief and police agent, and loved their storylines all the way through. The camera work was also really cool and the vibe was solid. What sets the film back from being perfect is that Barry Keoghan's character is one-dimensional though it works in the scenes he's in, and Halle Berry's storyline is not as interesting but also works fine as the story progresses. I also liked the ending of the film too, and the film as a whole reminded me of Nicolas Winding Refn's Drive but without the retro music.

Upon first viewing I gave the film a 4/5, though many may consider this a 3.5/5.

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#5: Send Help
Sam Raimi's Send Help is a very intriguing film. What happens when you take a bossy young dude and a well experienced but humiliated employee and then flip the tables when they're stranded on a remote island - you get this film. Rachel McAdams no doubt steals the film and does an amazing job. Dylan O'Brien also provided the funniest and best evil laugh in cinema. The story was also pretty good, but I felt let down by the lack of horror you would expect from Sam Raimi's style especially considering the plane scene at the start was amazing. The final act was pretty decent and the ending did throw me off considering the journey but it may require a rewatch to make sure it made more sense to me.

Upon first viewing I gave the film a 4/5, may shift down to 3.5/5.

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#6: Good Luck, Have Fun, Don't Die
A film about AI being bad and how to stop it from happening. Gore Verbinski returned to answer just that. This was a very original film and I loved how we see the characters experience the dangers of AI and technology. The film overall was very good but I do have a few issues with some portions of it. I felt the structure of the film was a bit inconsistent, as we had characters who go over their experiences with AI as I mentioned and yet they never talk about it during the scenes with Sam Rockwell's character. Sam Rockwell's character was also a bit overkill with the performance. He definitely acted well and is clearly loving it but it did get a bit too jarring in a lot of the scenes upon first viewing. That said, the ending was very good, the writing (outside of the issues I mentioned) was otherwise fairly solid, the scenes looked great and Haley Lu Richardson was the standout for me as her character arc was pretty good.

Upon first viewing I gave the film a 4/5, may shift down to 3.5/5.



Also watched:

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The Bride!
A bold and original take on the Bride of Frankenstein story was a pretty messy experience. Despite its solid aesthetic and very good performances, especially from Christian Bale as the Frankenstein monster himself, the film has this weird concept that just didn't go well for me and ruined the film's direction. There's also a subplot that didn't have enough development and some messaging that barely gets mentioned afterwards. It's a rough time and while I watched it in IMAX I would say it's not worth the theatrical experience.

Upon first viewing I gave the film a 2.5/5.

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GOAT
Sony Animation returns with a pretty cool premise that annoying should have been longer runtime wise. I liked what GOAT had to offer and the team players were great fun and the villain was pretty cool, but my problem is that the main lead didn't do enough to make me interested despite the first act pretty much being spot on. There's some conflict that felt off-putting in the half-way point and the final act was super rushed. The animation is fantastic though and I wish the film had an extra 20-30 minutes, but the issue there is that this is also aimed for a younger audience so they had to make it short. There were some pretty fun jokes as well that I liked. I also watched the film in Real 3-D but it doesn't make much of a difference.

Upon first viewing I gave the film a 3/5.

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How to Make a Killing
This film has a great premise on paper that doesn't quite hit the mark for me in its execution. Glen Powell was pretty likeable as our protagonist and the way he narratively explains the ordeal from start to finish was pretty good, and while there were some fun humour here and there the film didn't do much for me unfortunately. The direction that the story ends up is best described as playing a dating sim visual novel where you end up with the chaotic bad ending and a frustrating one as well. Is the film worth a watch? I would say at least once but I probably wouldn't rewatch it especially after knowing the direction that it ends up on.

Upon first viewing I gave the film a 3/5, may shift down to 2.5/5.

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Iron Lung
Mark Fischbach aka Markiplier made a film based on the indie horror game Iron Lung and it's surprisingly interesting. While Mark himself has to put all of the weight on his shoulders for being the main lead of the film, his performance is fairly rough at first, but somehow after the 45 minute mark the film magically clicked for me and got even better. What's also interesting for me is that this is not a direct adaptation of the video game so if you're familiar with the ending it's different here. The lore is not perfectly explained and pacing is not perfect, but the practical work here is solid and overall was a pretty good attempt for what was supposed to be limited to just a few theatrical screens in the US.

Upon first viewing I gave the film a 3.5/5, though many may consider this a 2.5-3/5.



No Other Choice & The Secret Agent I watched this year but don't qualify for any rankings because they were both 2025 films that screened late in the UK. Both were excellent films and are also worth watching (I gave No Other Choice a 4/5 and The Secret Agent a 4.5/5 upon first viewings).
 
Project Hail Mary, I would have killed myself if I'd missed this. I saw it last night and it's easily the best sci fi movie I've seen in the past few years, it gets a solid 9 out of 10 possible points. Miss it at your own peril.
 
Collateral (2004) - This was really good. Jamie Fox plays a taxi driver, Max, in LA who is dreaming of a better life but isn't ready to make the leap forward. Until one night he decides to give a ride to Vincent, an ice-chewing sociopath played expertly by Tom Cruise. Things very quickly go wrong as Max's stuck in one place situation has suddenly taken a more violent and horrible turn. There's a lot to like here especially as part of Micheal Mann's filmography. His overwhelming fascination with characters at the top of their fields, pleasant as very well. Vincent is functionally Cruise being an evil version of his Mission Impossible character, someone who can plan for anything but also adapt to everything. Somebody who embraces chaos as a profession instead of fearing the unknown. Max is clean, professional, studious, and simply deciding to be the best cab driver he can be, even if it's not a position anyone, including himself respects. Which certainly makes him a perfect person to function in the isolating city but also someone who has put his dreams on hold for the sake of a routine. In Mann's first film Thief James Caan's safecracker keeps a Photo of everything he wants out of his life in his pocket. In Collateral Max has all his dreams centred on a photograph. And if it helps someone else he's willing to hand his entire world over to a stranger just so that she can have a better day. It's a very romantic and sweet scene that tells you who this guy is. And you really just want him to get out of this in one piece. And bizarrely so does the spree killer in his car. Their odd chemistry is what ends up carrying the film as they are forced to weigh up how they have fallen into these professions, and if there's anything outside of this waiting for them. 8/10

Before The Devil Knows You’re Dead (2007) - Sidney Lumet directed 12 Angry Men and it's impressive he made movies for the next 50 years. A perfect counterbalance to Collateral because this is a movie about why taking that shot and trying to master chaos in pursuit of wealth will go terribly for most people who aren't Tom Cruise on a movie set. Because after what my notes refer to as 'the most poorly conceived robbery I've ever seen' in the opening; the movie becomes a nonlinear rollercoaster of people trying to outrun the consequences by being clever... until it turns out they're actually not that clever. This is a movie where you could pause it every 10 minutes trying to figure out what the thing could happen to the main character or what the worst thing could happen to them leaving the scene. And there's a 40% chance it was worse than you thought. I don't think this has ever been labelled as a comedy, always a modern crime noir, but it plays like a tragicomedy where you are gasping and laughing at just how badly this is one event has gone for everyone involved. The more of the story here is maybe you should just take that safe bet and try to appreciate what you could lose while you have it safely in hand. It is also serve as a good case study of the flaws of digital cinematography because there's some parts of this were it just looks like a computer glitching because Lumet and the team didn't know how to use the emerging technology. 7/10
 
I have continued my theatrical trips and watched a lot of films since the last post.

Here's my updated best of 2026 list (highlighted are new additions):
  1. Project Hail Mary
  2. Obsession
  3. The Drama
  4. 28 Years Later: The Bone Temple
  5. Hokum
  6. Hoppers
  7. Crime 101
  8. Send Help
  9. Mortal Kombat II
  10. Good Luck, Have Fun, Don't Die
  11. Iron Lung
  12. Lee Cronin's The Mummy
  13. GOAT
  14. How to Make a Killing
  15. The Super Mario Galaxy Movie
  16. The Bride!
I also watched the 4K restoration IMAX release of Katsuhito Otomo's Akira from Anime Limited in April which was a good time and the first time I saw the entire film in Japanese with English subtitles.

In addition I also watched a few 2025 films that don't make the list due to receiving their theatrical releases last year


Sang-il Lee's Kokuho which was a fantastic near 3-hour film going over kabuki and the journey one man takes to become the best performer in the scene whilst dealing with the relationships with the people around him as he gets older. The director made Yurusarezaru Mono in 2013 which is one of my favourite Japanese films so I'm glad to check this one out. Vue have exclusive theatrical rights so I had to visit the Vue York in order to see the film. No word on home video but US distributor GKIDS have the US/CA rights. 4.5/5


Genki Kawamura's Exit 8 was a pretty solid adaptation of the well-received indie puzzle horror game. Taking a simple premise and turning it into a theatrical film worked out for the most part. The camera work and one-take style presentations were very good, and while the story was very simple it kept me intrigued from start to finish with some emotional beats in one part. It's not going to win any awards but definitely one of the better adaptations of video games around. Vertigo Releasing distributed the film for the UK and will be available on Blu-ray this June. 3.5/5


Paolo Sorrentino's La Grazia is a different kind of film from the ones that I generally watch but I was invested by Toni Servillo's character who gives an excellent performance portraying someone who's conflicted on what he wants to do next during the final days of his political career. The music was strangely good, like a modern version of Darude's Sandstorm in a good way, and I absolutely loved the final act of the film and how it all comes together. Not a film for general audiences but if you want a solid modern slice-of-life type Italian film then its worth checking out. MUBI distributed the film for the UK and atm is currently exclusive to its streaming platform. 4/5



Let's go over the new additions to the list!

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#1: Obsession
Obsession is one that I've been thinking about ever since I watched it last night. The screening was nearly full which for an 18 rating was pretty impressive. The latest horror film also from a YouTuber but one that will no doubt stick with you for a good amount of time. The performances were absolutely fantastic, especially from Inde Navarrette who gives off the unsettling creepy vibe throughout. The best parts of the film for me was the way it ultilises the lighting and shadows for its presentation, because it captures the creepy vibes that the girl gives out but also to showcase the dark side of granting a wish. Plus on top of that, the audio and sound effects were very effective, very reminiscent of how survival horror games use it when something sinister is closeby.

Worth noting the film is presented in 4:3 format and the soundtrack does give off a 90s/00s setting vibe but I think helps with the tone of the film. As someone who doesn't really get scared or jump scared with horror films these days, Obsession is the first film since Final Destination to really scare me throughout because it takes such a simple idea and elevate it to such an unnerving level of dread and tension. In fact if you are someone who's experienced trauma/suffered from domestic violence in any shape I advise caution if you do plan to watch this as it's pretty uncomfortable. I personally don't have any flaws with the film because even though the main character does make a number of questionable choices, when you think about it from his perspective his actions make complete sense (and the best comparison I can give without spoiling is like having to deal with the five stages of grief, but in his case denial/reality).

If you need to check out trailers beforehand I highly recommend just the Teaser Trailer 1 & 2 videos as they perfectly capture what you can expect without giving away too much. Despite being released in 2025 due to film festivals, as the worldwide release was this month I'm counting it towards my Best Films of 2026 list.

Universal Pictures distributed the film and will no doubt receive a home video release later in the year.

Upon first viewing I gave the film a 4.5/5.

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#2: The Drama
From director Kristoffer Borgli (Dream Scenario) comes a film about a couple about to get married but one person's past caused conflict with the people around her. The Drama was a mesmerising film to watch because I was heavily invested in the drama going on and it's a great take on how people react to someone's controversial past. Zendaya and Robert Pattinson both did a amazing job with their performances and felt believable especially from the latter who goes through so many emotions to figure out how to deal with what he had just witnessed.

One interesting takeaway I got from this film is that the other characters also go through their controversial experiences but are treated like a causal joke but hypocritically treat the other with the opposite response even though her's wasn't as bad as you might expect, especially as the film explored more about her backstory and how it led up to the current moment. The film ends on a really great note as well.

A24 distributed the film with Entertainment Film Distributors handling the UK theatrical & home video release.

Upon first viewing I gave the film a 4.5/5.

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#3: Hokum
A horror story centered on Irish folklore and witchcraft. Hokum takes its time with its pacing, as the film begins with you exploring Adam Scott's character who's a writer dealing with some personal issues and how he's introduced to the rest of the cast at this Irish accommodation, but as soon as the second act begins it all comes together to an entertaining arthouse horror style experience that to me felt like a mix of Alan Wake's tone and storytelling and Resident Evil's isolation and puzzle solving.

The presentation was great as well and while there's a lot of dark scenes I do think it adds to the horror as you know there's something going on in the background. I also enjoyed how the film opens up during the rest of the film as you think it would go one way and then another event shows up. Plus the ending was great as well. Definitely one of my favourite films of the year so far.

Black Bear distributed the film for the UK and is coming to home video but hopefully in 4K (only Blu-ray is listed so far).

Upon first viewing I gave the film a 4/5.

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#4: Mortal Kombat II
Before watching this film, I watched the 2021 film a day before via Prime Video which was a good time but definitely had issues throughout. This second film is a big improvement in a lot of areas. First things first, the action is much better with a lot of great fights and in most cases many unpredictable outcomes which lead to some interesting results. Karl Urban as Johnny Cage and Adeline Rudolph as Kitana both are the co-leads of the film and each do a great job with their performances.

The setting and designs were great too, as the film takes inspiration from Mortal Kombat II. The fatalities were brutal but not as crazy as you would expect from the games. A lot of fun moments throughout and the story is good, but does take a bit of a backseat at times due to the non-stop action throughout. I'm intrigued to see where they go next with the third film.

Warner Bros & New Line Cinema distributed the film and will no doubt receive a home video release later in the year.

Upon first viewing I gave the film a 3.5/5, though many may consider this a 3/5.

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#5: Lee Cronin's The Mummy
This film before its release had some pretty mixed reactions with some claiming its going to be terrible , but honestly it's nowhere near as bad as you might think. Lee Cronin's The Mummy is such a weird film to talk about because it has a bit of an identity crisis due to numerous adaptations of the story throughout cinema, like the beloved The Mummy trilogy with Brendan Fraser. I would say the best way to go into this film is to treat it like an unofficial spin-off to The Evil Dead franchise because the two share a lot in common when it comes to demonic possession and dark/weird humour.

I will say that everything related to the Egypt setting was great and I loved the direction they went with that, plus the actress who plays the detective was interesting too. The family dynamic honestly works but there are some inconsistencies with their actions throughout the film that does frustrate you at times and common sense does go out of the window. The horror side though was very well done with a lot of unsettling scenes, weirdness and a final act that is bonkers. I think the film could do with more death scenes as there's a lot of missed opportunities to up the stakes with the situation.

Like many have stated, the film was surprisingly long clocking in at over two hours but the pacing was pretty decent. I can see the middle act being trimmed if they wanted to speed up the pace. The film also holds your hand with the 'Tell don't show' model which I don't mind but those sort of characters who do the explanation become one-dimensional as a result, which is why I think the film would have worked much better if they kept everything within Egypt and use that setting/environment to up the tension and stakes instead (and use the police offer to handle the exposition parts more). So yeah, it's interesting but the flaws are there.

Warner Bros & New Line Cinema distributed the film and will no doubt receive a home video release later in the year.

Upon first viewing I gave the film a 3/5.



Also watched:

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The Super Mario Galaxy Movie
Nintendo and Universal come together to produce another Mario film. The first one was honestly decent and a good way to introduce the characters but here its like they've taken Warner Bros's approach with the DC Extended Universe and rush the second film just to get to the good parts. There's definitely good parts sprinkled throughout the film with Bowser's character going through a pretty solid arc of being a good person and trying to appeal to his son, there's Brie Larson who voices Rosalina really well but her appearance is barely around which is annoying considering she's supposed to be a crucial character in Super Mario Galaxy's story. Donald Glover as Yoshi is random but works, and Glen Powell as Fox McCloud was a very fun addition to the roster.

The film's main issues comes from a number of areas; there's too much going on and not much story, Mario is pretty weak as a main lead and he's definitely the weakest in terms of the voice performances, there's way too many call-backs to the games so it feels more focused on that than quality and substance (though R.O.B's scenes were perfect not going to lie), and because they rushed straight to the Super Mario Galaxy story they missed an opportunity to adapt the previous Super Mario games into a film of its own that would have fleshed out those characters more to make this one work more.

As a children's film it's entertaining but as a proper film it's a mixed bag. I do think they could have done more but instead they know they don't need to put much effort into it because it'll make billions of dollars anyway.

Upon first viewing I gave the film a 2.5/5.



My 2026 cinema experience so far:

#FilmRatingDistributor
1​
28 Years Later: The Bone Temple⭐⭐⭐⭐Sony
2​
No Other Choice⭐⭐⭐⭐MUBI
3​
Iron Lung⭐⭐⭐💫Markiplier
4​
Send Help⭐⭐⭐⭐20th Century Studios
5​
Goat⭐⭐⭐Sony
6​
Crime 101⭐⭐⭐⭐Amazon MGM / Sony
7​
Good Luck, Have Fun, Don't Die⭐⭐⭐💫Entertainment Film Distributor
8​
The Secret Agent⭐⭐⭐⭐💫MUBI
9​
Hoppers⭐⭐⭐⭐Disney
10​
The Bride!⭐⭐💫Warner Bros
11​
How to Make a Killing⭐⭐⭐Studio Canal
12​
Project Hail Mary⭐⭐⭐⭐⭐Amazon MGM / Sony
13​
La Grazia⭐⭐⭐⭐MUBI
14​
The Super Mario Galaxy Movie⭐⭐💫Universal Pictures
15​
The Drama⭐⭐⭐⭐💫A24 / Entertainment Film Distributor
16​
Akira⭐⭐⭐⭐💫Anime Limited
17​
Lee Cronin's The Mummy⭐⭐⭐Warner Bros
18​
Exit 8⭐⭐⭐💫Vertigo Releasing
19​
Hokum⭐⭐⭐⭐Black Bear
20​
Mortal Kombat II⭐⭐⭐💫Warner Bros
21​
Kokuho⭐⭐⭐⭐💫Vue Lumiere
22​
Obsession⭐⭐⭐⭐💫Universal Pictures

Films that are on my radar to watch at the cinema this year:
  • Avengers: Doomsday
  • Backrooms
  • Clayface
  • The Death of Robin Hood
  • Disclosure Day
  • Dune Part Three
  • EVIL DEAD BURN
  • Forgotten Worlds
  • The Furious
  • Godzilla Minus Zero
  • Ice Cream Man
  • Jumanji: Open World
  • Masters of the Universe
  • The Odyssey
  • Resident Evil
  • Scary Movie
  • The Social Reckoning
  • Spider-Man: Brand New Day
  • Street Fighter
  • Supergirl
  • Toy Story 5
 
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