Heavy Metal (1981) Rewatch
Didn’t expect to be coming back to this so soon, but some friends wanted to see it. On repeat viewing, I think it’s the Harry Canyon / Long Tomorrow segment that holds up best though; it does a good job of transposing film noir genre tropes to a grotty future New York just slightly before cyberpunk really solidified, and I think it’s aged a bit more gracefully than most of the other shorts.
Having read some of the comics since I last saw the film though, I can appreciate how much the voice acting actually adds to the Den segment. In the magazine, Den feels like simple adolescent wish-fulfilment, with a nerdy teenager transported to a high-fantasy world where he suddenly becomes a musclebound hero, but in the film, John Candy maintains his high pitched nerd voice for barbarian Den's inner monologue, making it much clearer that the whole thing is thoroughly tongue in cheek.
Predator (1987) Rewatch
Despite having not seen Predator in a long, long time, my memory of it was pretty clear, although I still enjoyed going back to it. The story may be incredibly simple, with an elite special forces unit getting more than they bargained for during an attempted rescue mission in South America, but inside that framework, the film is absolutely meticulous in its execution. It takes place in a relatively small space, yet it feels big and bombastic, drawing out one of Arnie's best performances amongst a collection of one-note characters who are surprisingly sympathetic and memorable. Hell, Bill Duke might actually be the real MVP here, with his collection of nervous tics betraying his character's ever more fragmenting psyche in a very grounded way.
The God of Gamblers (1989)
A trend-setting Hong Kong blockbuster that sees Chow Yun Fat's legendary card-shark taken in by a petty hood and his friends, after losing his memory and regressing to a derpy, child-like state, this is a much sillier and more comedy-oriented film than I'd expected, but it certainly delivers good value, alternating between silent movie-esque slapstick and gun-fu action to surprisingly good effect. Some of the comedy does feel a bit cringey by today's standards, but it's a strong vehicle for CYF, whose charm and comic timing really carry the film through its occasionaly awkward diversions.