Dark times are coming. But that doesn't mean we won't have time for snogging. Lots, lots, and lots of snogging.
I was a tad surprised to see some of the harsher reviews for this film, having (relatively) enjoyed the film myself. But I can definitely see why people were peeved. It's one thing to still have the overplayed YA "will-they-won't-they" romance in Goblet of Fire, when things haven't taken a dark turn yet, but being the third film before the end of the series, and with the Death Eaters kidnapping wizards all across the globe, it is somewhat disappointing not to witness something more dramatic and related to the battle against You-Know-Who.
Unfortunately, the Harry Potter movies are a victim of its own design. It has been this way for the past five films, so it's no surprise really that the sixth one would continue the tradition of school life shenanigans mixed with some light doses of Voldemort-related sub-plots. It's stuck in its formula, and David Yates, as I feared, did not have the ambition to change it up to create something truly gripping and mind-blowing. This is no Cannes Film after all; it's an adaptation of a book series for kids for crying out loud. Of course it would play off like a tween drama with infuriating unrequited love.
Nevertheless, I have said that I enjoyed my experience, probably because I liked the character development enough, even if Ron's a big fat buffoon as per usual. Honestly, Ron is one of the most irritating and insufferable characters I have ever experienced over the last decade. His fling with Lavender felt so contrived, like something out of a '90s sitcom. I don't even know why something so artificial and shallow is in here. Half a star deducted just for that, now that I remember that stupid sub-plot. And Hermione was no better, playing the cliched lovesick girl too insecure to really tell Ron how she feels about him, even going down the textbook-route of dating a douche just to piss off Ron. Oh my god, she's supposed to be an intellectual. What was I saying? Oh right - that I somewhat enjoyed my experience. Ahem.
The other characters' development were more satisfying, of course, namely Malfoy and even Snape to some extent. But their developments are more subtle. You really have to read between the lines to see Malfoy's anguish in having a cursed destiny to live up to his father's bloodline, or Alan Rickman's excellent performance in giving Snape the nuances of a man forced to do what he must for the greater good. I haven't seen the last two films yet, but I could already tell that there's more than meets the eye with Snape's actions.
Oh, and there's Harry, I guess, struggling not to fall into the dark side or something. Yawn.
Anyway, disappointing set up for the climatic finale, but with a strong final act to the movie.
Speaking of the ending, most of these films usually have an odd closing scene that doesn't quite fit the tone of the scenes that came before, but I do understand why this is so. I think Rowling has said that her books are about hope in dark times, tragic times even. That's probably why these movies, and presumably her books, tend to end on a bright and light-hearted note, no matter how dark the movie was just minutes ago. Half Blood Prince has a closing scene that's probably the most fitting for Rowling's ideal, however, ending with Fawkes the phoenix flying towards the light over the horizon, where the promise of a new dawn awaits.
★ ★ ★ ½