Lupin III: Bye Bye Lady Liberty (1989) [English dub]
Following his successful theft of a computer trained to predict all his movements, a burnt out Lupin has gone into semi-retirement, living in a run-down part of New York, but after his gold-digging American girlfriend wracks up huge debts in his name, he decides to join Jigen in the hunt for an enormous diamond hidden somewhere inside the Statue of Liberty. The best way to get it? Steal the whole damn statue.
The first of the yearly Lupin TV specials, I’d not seen this film since I was a kid. Back then, I wasn’t massively keen on it; I wanted more of the green jacket Miyazaki-style Lupin, but this is a decidedly darker, more adult-oriented affair. Coming back to it now, I can appreciate it a lot more though. Osamu Dezaki directed the first few TV films, apparently with varying degrees of success, but his distinctive directorial style works wonderfully here, with Lupin and the gang navigating a particularly brooding, noirish New York, while tangling with the Satanic secret society who run things from the shadows. The film is quite witty, with plenty of amusing gags, but I feel there’s a weird, dreamlike melancholy at the root of it that defines the mood here.
Reactions to this film seem very divided, however, and I think your mileage may depend on how you feel about other instalments in the franchise. Prior to Lady Liberty, the most recent Lupin anime was the very family-friendly Fuma Conspiracy (about the closest you’ll ever get to 2 Cagliostro 2 Castle, in fact), so it’s a shock to see this one go off in the opposite direction, modelling itself so much on Mystery of Mamo, with its uncanny strangeness and psychedelic imagery. There‘s also a surprising amount of, the then fairly recent, Legend of Gold Babylon about the proceedings; the plot is different, but it feels like we’re hitting a lot of similar beats in terms of the action and use of the setting. At times, I almost feel like it’s a more serious do-over for Gold Babylon, although I don’t actually mind that - I thought it was an interesting misfire and I’m fine with them revisiting what was good about it.
Much as I enjoy his style, Dezaki is pulling a lot from his own playbook here too. All the usual flourishes like the split screening, the Dutch angles and the postcard memories are present and correct, but anyone familiar with Dezaki’s 80s output will likely recognise a lot of Space Adventure Cobra and especially Golgo 13: The Professional in both the shot choice and even the story.
I watched the English dub for this one as it’s one of only two Lupin films that were dubbed by Manga UK, and I quite like their cast. William Dufries and Toni Barry are good as Lupin and Fujiko respectively, although it’s a shame that Fujiko doesn’t have more to do in this one. It’s clear that liberties (ha) were taken with the script, however, and I’d be interested to see the subtitled version sometime for comparison. The dub seems to pick up on the villains’ motivation being unclear, changing the title of their organisation from The Three Masons (get it?) to Conquer the Universe Incorporated, but most notably, Goemon’s philosophical tidbits come across as complete gibberish, and I’m not sure if that’s intentional or not. I feel a better gag would have been if he was more thoughtful at the outset, then spouting complete nonsense by the end of the film.
Still, I think it was pretty clear from the outset which side my bread was buttered on. I’ve never seen one of the Lupin specials I thought was unwatchable (God knows a couple of them come close), but it’s hard not to feel with the later entries that you’re looking at a product, designed to maintain a level of continuity. Lady Liberty feels like a film, one that people had ambitions for. While I wouldn’t put this one up with the very top-tier of Lupin films, I think it is quietly one of the highlights of the franchise, and shouldn’t be overlooked amid the flashier theatrical features.