Neil.T
Idolm@ster
I don't think I was as sold on the monster designs. I only liked two of them: the first one (the statue type) and the shadow creature.Blood-C
. . .
The monster designs are probably the highlight; they're a weird and diverse bunch
I found the true form of Saya's "father" kind of naff, with that common transforming problem that feels to me like it usually turns up in kids' cartoons: namely that when he transformed, his robes transformed with him. And back again, if memory serves.
That last episode's terrible, isn't it? The town suddenly goes from being eerily empty to very populous as drama demands, and don't even get me started on those laughable monster designs. Marauding rabbits? Dear god.I honestly can't tell if that dumb final episode is meant to be taken seriously or not.
But the biggest problem I had with the series was the big twist where it turned out that Saya's friends hadn't died at all. So... who the hell had? And when were the switches supposed to have taken place, and how? Were the monsters fed corpses? Or live victims? (Sharing their counterparts' clothing and physique, no less.) The rooftop scene was the most ridiculous in that regard: mean girl Yūka was visible to us only a moment before somehow someone else presumably got shoved out onto set (by who??) to take the monster's blow in her stead. Riiight...
As @Girls wIth Guns says, though, the story concludes with the film The Last Dark which, while still flawed, is much better than the series, for my money.
