Dan Da Dan ep22
Kinta capturing the spirit of 'that guy' to an alarming extent.
Reporter Blues ep1
A Japan/Italy co-production from TMS, this seems like a charming little series in the mould of
Lupin or
Cat's Eye, following a young woman from the sticks who heads to Paris in the 1920s to take a job working for a newspaper. Details of its production are not forthcoming, but it certainly has all the hallmarks of the 80s TMS house-style (note that ya boi Akio Sugino appears top billed at the end), with wonderful watercolour backgrounds of the sort you'd expect from a Dezaki postcard memory, and some excellent attention to period detail. Protagonist Toni's conspiciously modern looking suit is a little jarring, but maybe they thought hip 90s kids wouldn't watch a show about a girl in a flapper dress. Cowabummer.
If I was being critical, I do think some of the characterisation is a bit 'yeah, whatever'. Maybe they're just in a hurry to get things set up so they can crack on with the (admittedly great) car chase, but a lot of key plot points seem to be introduced with weirdly little dramatic conflict. Everyone seems to be completely fine with Toni walking straight into a reporting job for what is presumably a major Paris paper, with no apparent references or sexist pushback, for example. Also she drives like a champion racer and is a gifted jazz musician, because of course she is? Am I asking too much of this children's cartoon to make some kind of concession to back story in the first episode?
No, it's the children who are wrong.
Lupin III - The Mystery of Mamo
Depending on what day you ask me, I think Mamo might still be the best Lupin film ever made. It's definitely of its time, but I don't think anything else quite captures the same mad energy of the manga quite like Mamo did.