Is the term ‘fanservice’ acknowledged as covering both sides of the male/female equation?
I think the term 'exploitation' is a little ambigious in this context, especially as we are taking about 2D images rather than real people, so it's not obvious who is exploiting who - the anime creator is 'using' the imagery and selling it - the watcher is buying and 'getting' it – so you would think everyone is happy
Fanservice that panders to the male audience is a lot more blatant and visually obvious – after all is it not a fairly well excepted fact that males are 'stimulated' more visually than anything else? – It’s this that means it’s rare it ever goes unnoticed and perhaps gets criticised correspondingly.
I’d need some confirmation from the girls on this, but my thinking is that ‘fanservice’ for females is generally more subtle and not necessarily always a visual thing. I was recently reminded of the whole ‘Mr Darcy’ phenomenon when I strayed onto a bbc4 program all about ‘Chick-Lit’ – this, whilst veering a little from the anime argument, has to be a classic example of pandering to a female audience - its just not quite as obvious as the pandering that goes on for male audience since, ignoring film/tv adaptions, its all contained within a book. Was Jane Austin 'exploiting' men or the male image in her novels? I think a lot comes down to your definition of what ‘exploitation’ consists of.
Not entirely sure what my point is with this. :?
Perhaps it makes more sense to talk about ‘degradation’ of either the female or male image when used as something to pander to what ever audience its is the author/creator is hoping to capture.
Is fanservice for females as potentially degrading to the male image as fanservice for males is to the female image?