Rumours of my demise have been greatly exaggerated, I’ve just been a bit braindead away from work lately.
Princess Tutu ep1-3: Duck Duck Go
This one is slightly tinged with bad nostalgia for me as the first person I remember telling me it was good was a friend who is now long absent. But yeah, that aside, Princess Tutu feels refreshingly non-commercial - it doesn’t feel as if they’re desperate to sell you something here, beyond maybe a plush Duck, and frankly I think we all need a plush duck in our lives.
Most of what I would have touched on has already come up; I like how expressive the series is. The character art is relatively simple, but they’re doing a lot with gesture and movement in ways that you don’t often see. The narrator character is creepy as hell, but I also like how they’re using him to sow doubt as to where the story is heading and whether or not the characters’ fate is already sealed, I always appreciate that kind of device in a story.
It is noticeable that we’ve definitely entered the digital production era though. The series is by no means the worst culprit from that time (remember how Kino’s Journey had scanlines matted onto the screen?), but there’s definitely some jank going on in post here, with jerky camera pans, naff lighting effects and a weird cross wipe in the third episode standing out to me in particular. HIDIVE’s version is pretty rough too: there’s some horrible deinterlacing, for the real 2000s anime viewing experience, and it’s English audio only, not even auto generated captions (come back Gary, all is forgiven).
Nevertheless, I enjoyed this one quite a bit. Of all the shows we’ve watched so far, I think Princess Tutu and Fancy Lala are the ones I’m most likely to continue after we’re done.
Futari wa Precure ep1: Buy ‘Hings
I’m sure it will come as a shock to no-one that I haven’t seen Precure before. My sole experience of it is, some years ago, seeing the director (?) of one iteration being interviewed on the NHK channel and responding to a question about what that version might bring to the franchise, by talking about the new toyetic device with the same kind of thousand yard stare last seen on Martin Sheen as he’s looking at that ceiling fan in Apocalypse Now.
Joking aside, I don’t know really. It’s decently produced; there’s some nice cuts of animation around the fight sequence in particular and I kind of liked the roller coaster becoming a kaiju, but it’s just… missing something. Perhaps the formula has become so refined by this point that it feels as if the creative spark has finally been lost. The device is shamelessly toyetic this time too - it actually felt jarring to me whenever the main characters had to interact with the toy phone. Maybe it’s just because we’re in a hurry to hit all the relevant plot points in this episode, but I would have appreciated a bit more effort being put into building up some kind of in-universe mythos around the thing. A magic wand makes sense, the enchanted pen to create outfits was cute, but I had a hard time seeing the phone as anything more than a bit of pre-teen knick-knackery.
Maybe I’m being a overly harsh, given that they did point out Nagisa’s propensity to attract female admirers, but I did also laugh a little bit at how keen the show was to establish that both our heroines are interested in boys, when they seem to gain a lot of strength by holding hands beneath a giant rainbow flag. My gag title for the episode was nearly ‘Bi Things’…
If no-one is offended, I may skip Madoka. It doesn’t greatly appeal to me and my overriding memory of it is still having to put up with very vocal and enthusiastic fans who would not shut up about the bloody thing. Maybe some day I’ll get over that enough to give it a shot properly, but, eh.
Princess Tutu ep1-3: Duck Duck Go
This one is slightly tinged with bad nostalgia for me as the first person I remember telling me it was good was a friend who is now long absent. But yeah, that aside, Princess Tutu feels refreshingly non-commercial - it doesn’t feel as if they’re desperate to sell you something here, beyond maybe a plush Duck, and frankly I think we all need a plush duck in our lives.
Most of what I would have touched on has already come up; I like how expressive the series is. The character art is relatively simple, but they’re doing a lot with gesture and movement in ways that you don’t often see. The narrator character is creepy as hell, but I also like how they’re using him to sow doubt as to where the story is heading and whether or not the characters’ fate is already sealed, I always appreciate that kind of device in a story.
It is noticeable that we’ve definitely entered the digital production era though. The series is by no means the worst culprit from that time (remember how Kino’s Journey had scanlines matted onto the screen?), but there’s definitely some jank going on in post here, with jerky camera pans, naff lighting effects and a weird cross wipe in the third episode standing out to me in particular. HIDIVE’s version is pretty rough too: there’s some horrible deinterlacing, for the real 2000s anime viewing experience, and it’s English audio only, not even auto generated captions (come back Gary, all is forgiven).
Nevertheless, I enjoyed this one quite a bit. Of all the shows we’ve watched so far, I think Princess Tutu and Fancy Lala are the ones I’m most likely to continue after we’re done.
Futari wa Precure ep1: Buy ‘Hings
I’m sure it will come as a shock to no-one that I haven’t seen Precure before. My sole experience of it is, some years ago, seeing the director (?) of one iteration being interviewed on the NHK channel and responding to a question about what that version might bring to the franchise, by talking about the new toyetic device with the same kind of thousand yard stare last seen on Martin Sheen as he’s looking at that ceiling fan in Apocalypse Now.
Joking aside, I don’t know really. It’s decently produced; there’s some nice cuts of animation around the fight sequence in particular and I kind of liked the roller coaster becoming a kaiju, but it’s just… missing something. Perhaps the formula has become so refined by this point that it feels as if the creative spark has finally been lost. The device is shamelessly toyetic this time too - it actually felt jarring to me whenever the main characters had to interact with the toy phone. Maybe it’s just because we’re in a hurry to hit all the relevant plot points in this episode, but I would have appreciated a bit more effort being put into building up some kind of in-universe mythos around the thing. A magic wand makes sense, the enchanted pen to create outfits was cute, but I had a hard time seeing the phone as anything more than a bit of pre-teen knick-knackery.
Maybe I’m being a overly harsh, given that they did point out Nagisa’s propensity to attract female admirers, but I did also laugh a little bit at how keen the show was to establish that both our heroines are interested in boys, when they seem to gain a lot of strength by holding hands beneath a giant rainbow flag. My gag title for the episode was nearly ‘Bi Things’…
If no-one is offended, I may skip Madoka. It doesn’t greatly appeal to me and my overriding memory of it is still having to put up with very vocal and enthusiastic fans who would not shut up about the bloody thing. Maybe some day I’ll get over that enough to give it a shot properly, but, eh.
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