British Film Institute to publish book on Spirited Away

Paul

Ghost of Animes
Administrator
<a href="http://forums.animeuknews.net/">Our forum</a> poster Akaten has dropped us a line revealing that the BFI (British Film Institute) will be <a href="http://filmstore.bfi.org.uk/acatalog/info_6192.html">publishing a book</a> about Spirited Away in their "Film Classics" line.

The 100-page book by Andrew Osmond is said to be an insightful study of the Oscar winning movie, ranging from production details to describing the toil and inspiration behind its creation and experienced director Hayao Miyazaki.

"<a href="http://filmstore.bfi.org.uk/acatalog/info_6192.html">Spirited Away: BFI Film Classics</a>" will be released during June 2008.
 
100 Anime is pretty good , though I've lost my copy :( There are some nice references to some older anime which, these days, are quite easy to forget.
 
Paul said:
100 Anime is pretty good , though I've lost my copy :( There are some nice references to some older anime which, these days, are quite easy to forget.

Yeah, it seems like it's a good read. Some of the language used by the author is needlessly complex, though, and that made it difficult to read through the introduction. Also didn't like his little dig at dubs in the acknowledgment section, he said something stupid like "death to dubbing" :[
 
CitizenGeek said:
Paul said:
100 Anime is pretty good , though I've lost my copy :( There are some nice references to some older anime which, these days, are quite easy to forget.

Yeah, it seems like it's a good read. Some of the language used by the author is needlessly complex, though, and that made it difficult to read through the introduction. Also didn't like his little dig at dubs in the acknowledgment section, he said something stupid like "death to dubbing" :[

To be fair, if you're going to seriously sit down and try to judge anime, I don't think dubbing should come into the equation, it should be original language all the way. The guy is trying to evaluate anime as a serious art-form from Japan, so watching it dubbed would lessen the critique, given it's removing a lot of what makes anime essentially Japanese in the first place.
 
I think its safe to say ill be picking it up. more so because im interested in the development stages rather than the film itself.
 
It would be interesting, but I'd rather pick up the official "art of" book published by Viz. The Ghibli "Art of" books are excellent, I have two.
 
Espy said:
It would be interesting, but I'd rather pick up the official "art of" book published by Viz. The Ghibli "Art of" books are excellent, I have two.
I love these and have all 5. I'm hoping to get Nausicaa 'Watercolor Impressions' for Christmas! However, as a literature student, I'll probably be staying away from Bfi's book simply because I buy books to escape from reams of text and textual analysis. In fact, I primarily enjoy anime because people so rarely try to elevate it to the heady 'heights' of artistic interpretation.

I like to think I've passed the stage where I can make up any old crap about something and feel smug because I've 'got a brain that can see the text for what it really is', though my Lit degree work keeps forcing me to stay awake the night before it's due in for exactly that reason... Film analysis is just Literature's poor cousin (unfairly so. They're both as pointless as each other!). Though this sounds more like a 'making of', so I'll just not be giving it time because of my 'text phobia' :p
 
Akaten said:
Paul said:
CitizenGeek said:
Paul said:
100 Anime is pretty good , though I've lost my copy :( There are some nice references to some older anime which, these days, are quite easy to forget.

Yeah, it seems like it's a good read. Some of the language used by the author is needlessly complex, though, and that made it difficult to read through the introduction. Also didn't like his little dig at dubs in the acknowledgment section, he said something stupid like "death to dubbing" :[

To be fair, if you're going to seriously sit down and try to judge anime, I don't think dubbing should come into the equation, it should be original language all the way. The guy is trying to evaluate anime as a serious art-form from Japan, so watching it dubbed would lessen the critique, given he's removing a lot of what makes anime essentially Japanese in the first place.

But I must admit I'm not sure what your last sentence means, he's removing what that makes anime essentially Japanese?

Sorry, that was a typo, seems I'm making a few those lately :| Replace "he's" with "it's" and the line makes more sense. What I mean by that is if you're trying to seriously evaluate and critique anime, you won't be taken seriously if you've only been exposed to an English dub because the quality of such a thing could greatly distort your opinion of the original production.
 
Paul said:
To be fair, if you're going to seriously sit down and try to judge anime, I don't think dubbing should come into the equation, it should be original language all the way. The guy is trying to evaluate anime as a serious art-form from Japan, so watching it dubbed would lessen the critique, given it's removing a lot of what makes anime essentially Japanese in the first place.

Yeah, that's fair enough. The voicing isn't as important, in my opinion, as the story, the dialog, the world or the themes - and none of those are really based on voicing at all. But I understand why he watched anime in Japanese. That "death to dubbing" was just stupid, however, it reeked of the mindless, dub-hating, internet anime fanboy.

Akaten said:
uot;]I should note I don't have a copy of 100 Anime at hand, but I think the introduction might be complex because rather than talking about a specific show or film its trying to outline what anime as a whole is and how it is unique so drifts into theory, you can always skip it and head straight to the lists which aren't as difficult to read.

Nah, it's hard to read because the author used complicated language and his vocabulary was much grander than mine :p
 
Akaten said:
You enjoy anime because other people consider it to be disposable and worthless?
I like it both on the basis that I consider it to have some kind of intrinsic worth, and because there simply aren't all that many opinions floating around about it at all.
Akaten said:
Dare I ask why are you studying literature at higher education if you try to avoid it outside of your course?
Because the job market has the idea that English Literature is of some worth, despite it being an easy and entirely worthless subject, and because my grades were tending that way. I genuinely expect this NOT to be the case in a decade or so, since so many people do Literature every year. It'll receive exactly the same bad press as Media or Film Studies, because it's just the same thing, caked in 100 years of extra ********.

What really gets under my skin is how hypocritical the entire discipline is. You've got Marxist studies on the political structures in mere-works of fiction, when the only structures that could possibly allow someone to waste their life talking about something so entirely inconsequential are the structures that they're attacking. Or Feminists creating a literature culture that empowers women... but for what? So that Women outnumber Men by a ridiculous ratio in the subject, diverting countless intelligent women from the male-dominated sciences and power structures that they spend all their time attacking in the safe and cosy world of fiction?

That and if you're supposed to read a novel plus secondary material every week for a term, is it any wonder that you might get fatigued :p
Akaten said:
And what is wrong with writing down your thoughts on a film, citing evidence to offer insight and trying to understand and comprehend the decisions taken by the people who made it?
It's wrong in the current climate because ****-loads of people sign themselves up to such degrees which ultimately contribute nothing to the world at large. It's all part of an education system that sends almost everyone to University regardless of whether it will actually benefit them. All English / Film / Media students actually do is provide a larger and larger body of study for their own self-contained cloud world. That and a sizeable income for Universities that is ultimately spent on students who actually need it, in the sciences. The ultimate goal of the system is apparently making it so that 99.9% of academics spend their lives completely unable to actually create what they consume and spit out.
Akaten said:
Are we supposed to sit in a comatose, spittle dribbling from our lips mumbling "wooooo, ahhhh," as our senses are overwelmed by a barrage of lights and colour and leave it at that?
Because of course, if you don't publish a book or paper or essay on "How doorways in the works of the Bronte sisters are metaphors for the problem of Women's sexuality in the 19th Century", you're automatically a dribbling moron.
 
Akaten said:
I really wish I hadn't asked now, as according to your post, fiction is worthless, even if it contains personal truths and observations by the author at hand, any attempt to discuss these, offer personal observations about them or take them seriously are also worthless.
Maybe some people just watch anime for fun? There's depth there if you want it, but if you want a break from working hard all day then there's always that angle as well. There's no point reading so deeply into work if you consider it a relaxing escape over a serious intellectual pursuit.

I thought the 100 Anime book was pretty good as not many people write about anime at such a high level, especially toward the more violent stuff that most critics dismiss as crap. (though I can't say I particularly agreed with the general description of Gunsmith Cats as virtually being a kind of gun porn)

The idea of a Spirited Away book does have smacks of cynicism about it. It's generally not regarded as Miyazaki's best work but is certainly the most known in western eyes, meaning it will sell the most copies. I'll be checking it out as Osmond does good work, but not 100% committed to it yet.
 
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