Heavy Object Part 1 Review

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IncendiaryLemon

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In the distant future, the nature of combat has changed. Wars are no longer fought with human combatants but instead with Objects, massive spherical tanks, impermeable to standard weaponry and armed to the teeth with the very latest in destructive firepower. However, all of that stands to change when Qwenthur Barbotage, a student studying Object design, and Havia Winchell, a radar analyst, are suddenly plunged into a battle of unwinnable odds when a plan goes awry. With nothing but basic equipment and their wits, the duo scramble to save themselves as well as the lives of their fellow soldiers from certain doom at the hands of an Object, changing the world’s perception of the behemoths forever in the process.



Normally, when you think about the mecha genre in anime, your mind generally jumps to shows like Mobile Suit Gundam, with giant humanoid robots tussling it out with each other with giant laser swords and the like. Honestly, it’s really quite disappointing just how rare it is to find a show that doesn’t fit into those preconceived expectations of what a mecha anime is. Enter Heavy Object, an adaptation based on the novel series from author Kazuma Kamachi, creator of A Certain Magical Index and A Certain Scientific Railgun, which might be the first entry into the mecha genre I’ve seen that I can call fresh in quite a long time.



Although the two series are very, very different in most regards, when it comes to the general premise of each episode, the most obvious comparison that comes to mind is Metal Gear Solid, to the point where I’m certain the first three episodes being set in Alaska had to have been some sort of reference to the first entry in the illustrious game franchise. Each short arc tends to centre around Qwenthur and Havia sneaking around a variety of locations, on stealth missions attempting to take out these nigh indestructible Objects on their own. It’s this general premise that made me really like Heavy Object, because whilst it is still a show all about mecha, the majority of the running time isn’t spent on watching the protagonists’ mecha dispatching Grunt mecha in increasingly similar and trite scenarios, but instead has the two lead characters having to think on their feet in order to save the day. Nothing against the likes of Gundam of course, but it is just really refreshing to see a mecha show that differentiates itself a bit from what everyone else is doing. The whole series also is just generally a lot of fun to watch, which is mostly due to two very likable and energetic leads, as well as a light tone and a genuine sense of adventure that is conjured up via the globetrotting nature of the series, as our protagonists go from the icy tundras of the Antarctic to tropical locales such as the Oceania or even naval battles in the Mediterranean.



One of the only real downsides to Heavy Object is whenever it tries to squeeze in attempts at ecchi comedy because it doesn’t work, as it rarely does. Any and all attempts at jokes of this nature fall flat, offering nothing really new or funny, and just being quite cringe inducing. There’s also this off-putting recurring gag (?) where Qwenthur and Havia’s superior, Frolaytia, seems to reward the duo’s efforts with a peek up her skirt, or the promise to stomp on one of them for sexual gratification. It didn’t really affect me too much, but I could certainly see it making some people uncomfortable.



The only other lacklustre element comes from the characters in general. Although they are fun and likable, as I mentioned, they are painfully lacking in any sort of depth. You can call Qwenthur the ‘Heroic One’ and Havia the ‘Pervy One’ and not be oversimplifying their characters at all. Havia does become a bit less of a coward later on in the series, and he does get one nice moment of character at the tail-end of one of the episodes, but neither of the pair ever receives anything really substantial. The only character who does receive anything of the sort is the Frolaytia, who gets a backstory at the end of this first half, that is surprisingly dark considering the tone of the rest of the series, but does work in fleshing out her character. I can only hope that the other main characters receive the same kind of treatment in the show’s second half.



There is also something of an attempt at a romance between Qwenthur and Milinda, the pilot of an Object in possession of the nation that Qwenthur and Havia fight for, but it’s incredibly half-hearted and barely even worth mentioning. Qwenthur and Milinda rarely have any screen time together, and when they do, the chemistry between the two is incredibly sparse. Again, perhaps this element will gain more focus during the show’s second half, but I’m not holding my breath.

Animation for Heavy Object is a joint effort between JC Staff (A Certain Scientific Railgun, Toradora, Azumanga Daioh) who handle all the 2D animation and SANZIGEN (The Heroic Legend of Arslan, Black Rock Shooter, BBK/BRNK) who focus on the 3D elements. Working together, the pair manage to create a fairly good-looking show, with some very impressive looking CGI that doesn’t look out of place like the majority of CGI in anime tends to.



Funimation UK’s release of Heavy Object contains both the Japanese audio as well as an English dub track, and, overall, I was very impressed with the quality of the dub. Led by Justin Briner (My Hero Academia, The Heroic Legend of Arslan, Drifters) and Micah Solusod (Brother’s Conflict, Blood Blockade Battlefront, Soul Eater) as Qwenthur and Havia respectively, I think the two have a lot to do with how instantly likably the characters come across, which helps carry the whole show. The supporting cast also includes some good performances from the likes of Morgan Garrett, Alexis Tipton and John Michael Tatum.

Keiji Inai and Maiko Iuchi both provide music for the series, which seems to alternate between a traditional orchestral score, electronic, almost dubstep-like music, and heavy rock, which make for a pretty great and varied soundtrack. The opening for Heavy Object is “One More Chance!!” by ALL OFF, which I was a huge fan of. It manages to combine heavy metal and J-Pop, which you wouldn’t really think would work well, yet it manages to be infectiously catchy. The ending is a softer sounding track, but is still really enjoyable, although I’m not sure exactly how well it fits with such an action heavy show.

Extras included on this release include a clean OP, a clean ED, trailers and commentary tracks.

In Summary

As long as you can put up with a bit of less-than-stellar comedy, the first half of Heavy Object delivers a large dose of unique and incredibly fun mecha action.

Quick Information


Title: Heavy Object Part 1
Publisher: Funimation (via Anime Limited)
Genre: Mech, Action, Military, Sci-fi
Studio: J.C. Staff, SANZIGEN
Type: TV Series
Original vintage: 2015
Format: Blu-Ray
Language options: Japanese audio with English subtitles and English dub audio
Age rating: 15
Running time in minutes: 300
Score (out of 10): 8

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I don't often disagree with your reviews Lemon but I do in this case. The Mecha designs are terrible (hell its a ball with guns!). The lack of any character development really limits the show to just throwaway action. The long explanations with lots of tech speak was immensely boring.

That said there is some enjoyment to be had in Heavy Object as a pure action show.
 
It restores some of my faith in the diversity of the world when I read about people liking shows I found utterly unwatchable (usually, it's the other way around!)

The puerile 'sexy' elements spoiled Heavy Object for me right out of the gate (and what I heard about how they developed later certainly didn't improve my view) so I'm glad you were able to look past them and enjoy it. There were a few interesting potential plot threads in between the dumb parts.

R
 
I don't often disagree with your reviews Lemon but I do in this case. The Mecha designs are terrible (hell its a ball with guns!). The lack of any character development really limits the show to just throwaway action. The long explanations with lots of tech speak was immensely boring.

That said there is some enjoyment to be had in Heavy Object as a pure action show.

Well, I can't win 'em all! :p

Honestly, maybe it's because I'm not really a huge mecha fan or anything, but mecha designs are neither here nor there for me. The spheres being replaced with intricately designed humanoid Gundam type robots wouldn't make the series any more or less fun or interesting, nor would it improve the lackluster characters. The mechas are kind of a means to an end, and in that regard, a sphere with guns fulfils that need perfectly.

Whilst I am in full agreement that the characters are totally lacking any sort of depth, that's not exactly the be all and end all so long as the action is good, which it is. One of my favourite movies of all time is the 1980's Arnold Schwarzenegger movie Commando. It doesn't have a unique or complex story or really well developed characters, it's literally just Arnold going around blowing **** up for 90 minutes, and that is done so perfectly that nothing else really matters. Whilst I don't enjoy Heavy Object as much as I do Commando, I am willing to overlook an awful lot of things if a show is fun and action packed, although I can very much understand that others might not be able to.

The puerile 'sexy' elements spoiled Heavy Object for me right out of the gate (and what I heard about how they developed later certainly didn't improve my view) so I'm glad you were able to look past them and enjoy it. There were a few interesting potential plot threads in between the dumb parts.

R

A big issue I take with the anime medium as a whole is it's need to inject ecchi comedy or fan service into shows that do not need it at all. If you're aiming to be a sex comedy like Shimoneta, Seitokai Yakuindomo or No-Rin to name a few, then that's fine, but when you get a series like Heavy Object, about the military fighting in wars with mechas, there is just zero reason to cram in so much uncomfortable and cringe worthy humour. I know that Fuuka was a recent example of this, a charming Romance/Music show that seemed to cram in really ill fitting fan service in for seemingly no good reason. Luckily that did go away after a little while, although it has recently run into much more bigger issues, such as the writing. If anime writers want to inject comedy elements, there are certainly different and far better ways to go about it than have the protagonists grope some boobs for cheap laughs. About the only series that seems to get away with it in my eyes is Monogatari, which is mostly down to the fact that the cast of female characters are incredibly well developed (not like that) and don't just feel as if they're there for the protagonist, and by extension the straight males in the audience, to lust after. Well, that and there's some really attractive character designs, but I feel that I've gone off on somewhat of a tangent!
 
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Monogatari knows exactly what it's doing so I don't mind the fan service in that at all, even though it pushes things much farther than the others. It feels as though you're invested in the teasing, if that makes sense, whereas having underage girls randomly falling over or calling the lead a pervert out of the blue in an otherwise serious storyline just completely takes me out of the show.

I dropped Fuuka after episode four as I finally lost patience with the clumsy 'sexy' antics. Argh. It's not exciting when it's done that awkwardly, please decide whether you want to be a fan service show or not and embrace your seedy ambitions fully, writers!

R
 
I know that Fuuka was a recent example of this, a charming Romance/Music show that seemed to cram in really ill fitting fan service in for seemingly no good reason. Luckily that did go away after a little while, although it has recently run into much more bigger issues, such as the writing.

I know I'm taking you a little out of context here (and haven't got anything to say about Heavy Object as I still have my own discs to watch...), regarding Fuuka:

The fan service was also in the manga so at least the show was actually being true to that, although in the manga the fan service is waved away by Yuu fairly often (as it is his sisters who always... 'offer it') and the characters in question who look like they're there just for the fan service in the anime are much better developed in the manga. If anything, the show is a good example of creating worse fan service by taking things more out of context.
 
I know I'm taking you a little out of context here (and haven't got anything to say about Heavy Object as I still have my own discs to watch...), regarding Fuuka:

The fan service was also in the manga so at least the show was actually being true to that, although in the manga the fan service is waved away by Yuu fairly often (as it is his sisters who always... 'offer it') and the characters in question who look like they're there just for the fan service in the anime are much better developed in the manga. If anything, the show is a good example of creating worse fan service by taking things more out of context.

I suppose if it's being faithful, the issue is more with the manga than the anime, but that doesn't make it any more unnecessary. @Rui dropping it because of the dumb ecchi stuff is reason enough to believe it shouldn't be there to begin with, as it's actively losing viewers for totally superfluous reasons. Any attempt at fan service could be excised with nothing of substance being lost at all.
 
I suppose if it's being faithful, the issue is more with the manga than the anime, but that doesn't make it any more unnecessary. @Rui dropping it because of the dumb ecchi stuff is reason enough to believe it shouldn't be there to begin with, as it's actively losing viewers for totally superfluous reasons. Any attempt at fan service could be excised with nothing of substance being lost at all.

Well, like I say while it's being faithful it's also just making the whole thing worse than it was. It's just frustrating overall but then I think that's the Fuuka adaptation in a nutshell...
 
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