thedoctor2016
Mushi-shi
They did things like delayed Your names JP BD due to making money from the cinemas. The prices for the WWY and YN Deluxe did make think we wouldn’t get this below £50 hence my surprise.
I'm expecting the discs to have more interesting designs than just Blu-ray & 4K on a blue background heh and it would be nice to see these in the marketing photos (I gather from what people have said the blu ray is the same as what's currently on sale in the SE).
Coming back to this point about HELLO WORLD again but only because I have an ulterior motive for bringing it up.maybe lacking heart somewhat
I was getting Girl Who Leapt Through Time vibes from it
The nearest vibes I felt like I was getting from HELLO WORLD was of The Relative Worlds, an excellent CG film that was shown at Scotland Loves Anime 2019. That's another one that I would really like to see on UK Blu-ray.Interesting you mention GWLTT as I was getting Summer Wars vibes from it
Oh, I didn't see that. Thanks.The JPTF programme says distributor “Anime Limited” so
When I asked Jeremy about the masters on discord, he said it's probably the Nozomi one. I hope so.Yay for French discs. The 50pg book does have me slightly interested though
Sounds like they aren't sure yet, I hope so as well.When I asked Jeremy about the masters on discord, he said it's probably the Nozomi one. I hope so.
AL have a UK and French branch, so if the release is going to be put out in both places it probably costs less to produce the same discs across both areas vs having a disc that's specifically for the UK and one that's specifically for France.I am still hoping we get the Nozomi master for Gundam F91.
Question: is there a reason why Anime Limited would choose a French master over a US master that has already been released a while ago for a particular release.
Just a thought
I guarantee you Toho haven't mellowed; just ask anyone who bought the Criterion Godzilla set. Toho have a restored 4K master of King Kong vs Godzilla, but wouldn't allow Criterion to use it, so the version on that set is cobbled together from the 1080p master of the US cut and SD upscaled footage of the extra scenes that are only in the original Japanese cut. Several other films in that set (including some of the best ones) are completely unmatted, so you can see prominent film splices flashing at the bottom between every shot. Toho digitally removed the splices for their JP blu-rays, but gave Criterion the inferior unaltered versions. I asked Criterion why they hadn't done anything to cover or remove the splices, and they tried to pass it off as a feature of 'authenticity' rather than a flaw, but this is exactly the kind of restoration work they would normally do, so it's pretty clear that Toho just wouldn't let them.Toho seems to have mellowed recently I have observed. Old Toho never would have made something like Shin Godzilla which was so far removed from main Godzilla.
Man that's just petty. Why would Toho go and cripple it like that? I was actually thinking of buying that set as well so thanks for the heads up.I guarantee you Toho haven't mellowed; just ask anyone who bought the Criterion Godzilla set. Toho have a restored 4K master of King Kong vs Godzilla, but wouldn't allow Criterion to use it, so the version on that set is cobbled together from the 1080p master of the US cut and SD upscaled footage of the extra scenes that are only in the original Japanese cut. Several other films in that set (including some of the best ones) are completely unmatted, so you can see prominent film splices flashing at the bottom between every shot. Toho digitally removed the splices for their JP blu-rays, but gave Criterion the inferior unaltered versions. I asked Criterion why they hadn't done anything to cover or remove the splices, and they tried to pass it off as a feature of 'authenticity' rather than a flaw, but this is exactly the kind of restoration work they would normally do, so it's pretty clear that Toho just wouldn't let them.
As for Shin Godzilla, the reason it's such a departure is likely more to do with the terms of their contract with Legendary Pictures. Ever since Godzilla 2014 was a financial success, Toho have been champing at the bit to get a slice of that action, but I think the contract with Legendary limits what projects they can do until it expires, so we got a film that somewhat reinvented the character, and anime adaptations that probably get around the wording of the contract.
If you can play region A discs and only want an English subtitled copy, it did get a Hong Kong release which is barebones but good. I'm sort of surprised this film wasn't picked up for English distribution.I watched HELLO WORLD earlier today as part of this year's online-only Japan Foundation Touring Film Programme. It's wonderful.
What are the chances of a UK Blu-ray release?
![]()
I really don't mind sharing with France but I also really want extras on my disc. Sometimes feels like the response to "Release Gundam more regularly" has become "Ok, but be thankful you're getting the main feature."AL have a UK and French branch, so if the release is going to be put out in both places it probably costs less to produce the same discs across both areas vs having a disc that's specifically for the UK and one that's specifically for France.
Man that's just petty. Why would Toho go and cripple it like that? I was actually thinking of buying that set as well so thanks for the heads up.
Man that's just petty. Why would Toho go and cripple it like that? I was actually thinking of buying that set as well so thanks for the heads up.
From what I understand in regards to the current deal between Legendary and Toho, it was to expire in 2020 but Legendary was apparently able to retain the rights for longer for Godzilla vs Kong, but apparently now it is a shared license for as long as Legendary keep making Godzilla films. So who knows, rumour has it that Toho wants to make their own shared universe along side the Legendary one.