Search results

Part of me thinks that’s BS on FUNi’s part. Sure, White Fox in particular give not-so-great masters, even to the JP Publisher simply because of how they produce and composite their shows. However, I read that Re:Zero was one of the few exceptions. Kadokawa hasn’t sabotaged Western distributors...

I don’t have the P3 movies, but they changed discs? (All I know is that the first film is a Justin Sevakis encode) But yeah. Re:Zero might be the worst anime Blu ever released considering the time (2018 as opposed to like 2006), and fanbase.

I hope so too.

Despite me being the guy who was extremely vocal about the atrocious encoding by FAILimation, and me not liking AL waiting to do a higher quality release (my opinion, from a foreigner’s perspective)... I hate Re:Zero. Didn’t like it at all. That being said... I might actually buy Madman’s discs...

Because she did some scripts for the series. See, I only mentioned titles Okada was in charge of Series Composition- which means she was the head writer. In the case of Red Garden, Yamashita Tomohiro was in charge of series composition- Okada Mari only wrote some episodes (6 in total out of the...

I've come to realise that if you can make your audience cry, they'll think it's good drama and will respect you as a writer.

I hate Okada's work. She's all forced melodrama about kids explaining their feelings to each other without actually developing relationships. Or she's ruining a franchise (Gundam IBO) with her melodrama (and EDGE). The only one of hers I like was Toradora- and even then, I don't love it. It's...

^^^^^^ 100%

I just looked it up... you guys don't have Clannad? Wow. Not a fan, but that's shocking. I could maybe understand Natsume and Yuru Yuri, but Clannad? That's a shocker. (I feel sorry that a beloved title to many isn't in your grasp)

For those curious by what I meant by those effects, this image from the opening scene should give a clue as to what I'm talking about.

Huh. Well, I don't pay much attention to European anime licensing (and that includes the company everyone thinks I'm in love with), so I didn't hear that. Oh well. Here's to hoping it's someone who can do a competent release...

I assume they do- I mean, they have the series. Yeah, they couldn't get it into SLA, but I'd assume they'll pick it up.

Agreed. Some things are easier to encode than others, but when you have an image with as many effects that are very subtle (depth of field, chromatic aberration, simulated distortion, etc) which make up the bulk of each (or the majority) of the frames in the film, you'd better be damn confident...

The reason I did bring them up was because Liz is a film that requires good compression due to the filmmaking techniques Yamada used. Anything other than excellent, and you get a heap of banding and chromatic aberration bleeding into other parts of the frame.

How would I get aroused over a Twitter page? lol

I love it. Fantastic gif But yes, I do mention them for good reason. I guess I’ll try to limit it, though. As it can be annoying after a while.

Also, AL, for Liz and the Blue Bird you might want to consider getting mp3dom as compressionist. It's a visually complex film with lots of detail that requires very competent compression. He has told me that he knows Andrew, or at least that Andrew knows him as "the Dynit guy", so at least...

The Emiya volumes range between ￥4000 to ￥5000 each. They are published by Aniplex. Free Dive to the Future volumes average around ￥6000 which is still not that great. Tsurune Vol 1, which has 3 full episodes is a little over ￥7000. With what KyoAni/Pony Canyon is doing, you at least get full...

And yes, the JP releases are expensive AF. ￥4000 for 3 half length episodes? (I looked, and they're like 16 minutes or so each, but my point still stands) It's crazy what Aniplex is charging for it in Japan all because people will pay for Fate at any price.

When I said "I know you're not being serious", I meant about the release window. Not the show itself. Never seen it so I can't comment on its quality.